Performing facekuerade to navigate internally displaced persons desolation in the performance of Eliagwu Ameh’s Displaced

IF 0.2 0 THEATER South African Theatre Journal Pub Date : 2024-06-18 DOI:10.1080/10137548.2024.2354859
Emmanuel Tsadu Gana, Abdulmalik Abubakar
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Abstract

This paper adopts Sunnie Ododo’s ‘Facekurade Theatre’ as a framework for interrogating the stage performance of Eliagu Ameh’s Displaced as Directed by Olagoke Ifatimehin. The paper highlights issue...
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在 Eliagwu Ameh 的《流离失所者》中表演脸谱引导国内流离失所者的荒凉感
本文以 Sunnie Ododo 的 "Facekurade Theatre "为框架,对 Olagoke Ifatimehin 导演的 Eliagu Ameh 的《Displaced》的舞台表演进行了分析。本文强调了这一问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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发文量
7
期刊最新文献
Intimate Affairs and other Plays by Stephen Chifunyise: A Review Audience and the transformation of performance in African theatre through Iredi War and Ekuechi festival Surfacing woman-consciousness in Reza de Wet’s On the Lake Performing facekuerade to navigate internally displaced persons desolation in the performance of Eliagwu Ameh’s Displaced Shifting sands of the past and the present in drama of the New South Africa: Neil Coppen’s Tin Bucket Drum and Nadia Davids’ What Remains
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