Pub Date : 2024-07-19DOI: 10.1080/10137548.2024.2376437
Cletus Moyo
Published in South African Theatre Journal (Ahead of Print, 2024)
发表于《南非戏剧杂志》（2024 年提前出版）
{"title":"Intimate Affairs and other Plays by Stephen Chifunyise: A Review","authors":"Cletus Moyo","doi":"10.1080/10137548.2024.2376437","DOIUrl":"https://doi.org/10.1080/10137548.2024.2376437","url":null,"abstract":"Published in South African Theatre Journal (Ahead of Print, 2024)","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141781537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-27DOI: 10.1080/10137548.2024.2362439
Tekena Gasper Mark
African theatre encompasses theatrical practices that predate European colonization. Using Sam Ukala's play, Iredi War, a modern Nigerian drama infused with folk elements, and the Ekuechi festival ...
{"title":"Audience and the transformation of performance in African theatre through Iredi War and Ekuechi festival","authors":"Tekena Gasper Mark","doi":"10.1080/10137548.2024.2362439","DOIUrl":"https://doi.org/10.1080/10137548.2024.2362439","url":null,"abstract":"African theatre encompasses theatrical practices that predate European colonization. Using Sam Ukala's play, Iredi War, a modern Nigerian drama infused with folk elements, and the Ekuechi festival ...","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141742309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-18DOI: 10.1080/10137548.2024.2354180
Danie Stander
Reza de Wet is one of South Africa’s most acclaimed and translated playwrights. On the Lake is one of her most under-researched plays. It forms part of a trilogy of Chekhov-sequels all of which pre...
Reza de Wet 是南非最受赞誉和翻译最多的剧作家之一。湖上》是她研究最不充分的剧本之一。该剧是契诃夫三部曲续集的一部分，所有剧本都是契诃夫的前作。
{"title":"Surfacing woman-consciousness in Reza de Wet’s On the Lake","authors":"Danie Stander","doi":"10.1080/10137548.2024.2354180","DOIUrl":"https://doi.org/10.1080/10137548.2024.2354180","url":null,"abstract":"Reza de Wet is one of South Africa’s most acclaimed and translated playwrights. On the Lake is one of her most under-researched plays. It forms part of a trilogy of Chekhov-sequels all of which pre...","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141502581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-18DOI: 10.1080/10137548.2024.2354859
Emmanuel Tsadu Gana, Abdulmalik Abubakar
This paper adopts Sunnie Ododo’s ‘Facekurade Theatre’ as a framework for interrogating the stage performance of Eliagu Ameh’s Displaced as Directed by Olagoke Ifatimehin. The paper highlights issue...
{"title":"Performing facekuerade to navigate internally displaced persons desolation in the performance of Eliagwu Ameh’s Displaced","authors":"Emmanuel Tsadu Gana, Abdulmalik Abubakar","doi":"10.1080/10137548.2024.2354859","DOIUrl":"https://doi.org/10.1080/10137548.2024.2354859","url":null,"abstract":"This paper adopts Sunnie Ododo’s ‘Facekurade Theatre’ as a framework for interrogating the stage performance of Eliagu Ameh’s Displaced as Directed by Olagoke Ifatimehin. The paper highlights issue...","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141502582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-06DOI: 10.1080/10137548.2024.2354189
Owen Seda, Connie Rapoo
{"title":"Shifting sands of the past and the present in drama of the New South Africa: Neil Coppen’s\u0000 Tin Bucket Drum\u0000 and Nadia Davids’\u0000 What Remains","authors":"Owen Seda, Connie Rapoo","doi":"10.1080/10137548.2024.2354189","DOIUrl":"https://doi.org/10.1080/10137548.2024.2354189","url":null,"abstract":"","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141379295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-05-02DOI: 10.1080/10137548.2024.2343115
Samuel Ravengai
In this article, I want to explore the life and creative practice of Stephen Chifunyise to assemble a couple of features that characterize his work which he called ‘national theatre’. My starting p...
{"title":"Stephen Joel Chifunyise and his contribution to the praxis of Afroscenology","authors":"Samuel Ravengai","doi":"10.1080/10137548.2024.2343115","DOIUrl":"https://doi.org/10.1080/10137548.2024.2343115","url":null,"abstract":"In this article, I want to explore the life and creative practice of Stephen Chifunyise to assemble a couple of features that characterize his work which he called ‘national theatre’. My starting p...","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140941218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-10DOI: 10.1080/10137548.2023.2213557
Michael Lambert
Published in South African Theatre Journal (Ahead of Print, 2024)
发表于《南非戏剧杂志》（2024 年提前出版）
{"title":"A long walk to Purgatory: the tales of Dante & Mashudu","authors":"Michael Lambert","doi":"10.1080/10137548.2023.2213557","DOIUrl":"https://doi.org/10.1080/10137548.2023.2213557","url":null,"abstract":"Published in South African Theatre Journal (Ahead of Print, 2024)","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140115288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-04DOI: 10.1080/10137548.2023.2265252
Jeffrey Brukman
Published in South African Theatre Journal (Ahead of Print, 2024)
发表于《南非戏剧杂志》（2024 年提前出版）
{"title":"‘Opera and music theatre’, African theatre","authors":"Jeffrey Brukman","doi":"10.1080/10137548.2023.2265252","DOIUrl":"https://doi.org/10.1080/10137548.2023.2265252","url":null,"abstract":"Published in South African Theatre Journal (Ahead of Print, 2024)","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2024-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140071567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-30DOI: 10.1080/10137548.2023.2283428
Lelia Bester, Marth Munro
South African film budgets do not allow for extensive preparation and rehearsal periods. South African film actors prepare their portrayal of emotion as part of their performance scores in isolatio...
{"title":"Training strategies towards performing emotions on film: an integrated approach","authors":"Lelia Bester, Marth Munro","doi":"10.1080/10137548.2023.2283428","DOIUrl":"https://doi.org/10.1080/10137548.2023.2283428","url":null,"abstract":"South African film budgets do not allow for extensive preparation and rehearsal periods. South African film actors prepare their portrayal of emotion as part of their performance scores in isolatio...","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138513942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-16DOI: 10.1080/10137548.2023.2276452
Ignatius T. Mabasa
Writing is very recent in Zimbabwe, with the first Shona novel published in 1956. Before missionaries came with books and the practice of writing, indigenous people were a word of mouth people. The...
{"title":"Chifunyise and the folktale as ideology and pedagogy: an autoethnography","authors":"Ignatius T. Mabasa","doi":"10.1080/10137548.2023.2276452","DOIUrl":"https://doi.org/10.1080/10137548.2023.2276452","url":null,"abstract":"Writing is very recent in Zimbabwe, with the first Shona novel published in 1956. Before missionaries came with books and the practice of writing, indigenous people were a word of mouth people. The...","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2023-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138513957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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