{"title":"Pasolini and Popular Music","authors":"Karen T. Raizen","doi":"10.1080/02614340.2024.2355807","DOIUrl":null,"url":null,"abstract":"This article explores popular music in the films of Pier Paolo Pasolini. Pasolini conceived of two broad categories of popular music: folk music, which he understood to represent pre-capitalistic, ...","PeriodicalId":501451,"journal":{"name":"The Italianist","volume":"44 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Italianist","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/02614340.2024.2355807","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
This article explores popular music in the films of Pier Paolo Pasolini. Pasolini conceived of two broad categories of popular music: folk music, which he understood to represent pre-capitalistic, ...
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