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Onward Migration of Families of New Italians to the UK: Children’s Perspectives on the Use of Languages 新意大利人家庭移居英国:儿童对语言使用的看法
Pub Date : 2024-08-06 DOI: 10.1080/02614340.2024.2376303
Francesco Goglia
This study explores language dynamics among families of new Italians in the UK, highlighting how Italian usage is influenced by past language practices in Italy, with elder siblings playing a key r...
本研究探讨了英国新意大利人家庭中的语言动态,强调了意大利语的使用如何受到过去在意大利的语言习惯的影响,其中年长的兄弟姐妹发挥了关键作用。
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引用次数: 0
Oltre il ‘povero ma bello’: Renato Salvatori e il lato oscuro del Boom italiano 超越 "贫穷但美丽":雷纳托-萨尔瓦多和意大利经济繁荣的黑暗面
Pub Date : 2024-07-30 DOI: 10.1080/02614340.2024.2357945
Stefano Oddi
Starting from 1960, Renato Salvatori radically transformed his picture personality, hitherto anchored to characters conveying the optimistic drives of a country headed towards a prosperous future. ...
从 1960 年开始,雷纳托-萨尔瓦多从根本上改变了他的绘画个性,以前他的作品主要是表现一个国家走向繁荣未来的乐观动力。...
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引用次数: 0
‘America e Sardigna’: Una poesia in sardo della giovane Grazia Deledda (1893) 美国和撒丁岛":年轻的格拉西亚-德莱达(Grazia Deledda)的撒丁岛诗歌(1893 年
Pub Date : 2024-07-29 DOI: 10.1080/02614340.2024.2356404
Giancarlo Porcu
This article focuses on the rediscovered printed edition of ‘America e Sardigna’, a poem written in Sardinian by Grazia Deledda for the World’s Columbian Exposition in Chicago in 1893; so far, this...
这篇文章的重点是重新发现的《America e Sardigna》印刷版,这是一首由 Grazia Deledda 为 1893 年芝加哥哥伦布世博会用撒丁岛语创作的诗歌。
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引用次数: 0
Intertestualità dantesca in Electric Light (2001) di Seamus Heaney 但丁在《电光》中的互文性》(2001 年),西默斯-希尼著
Pub Date : 2024-07-08 DOI: 10.1080/02614340.2024.2355805
Laura Piccina
Critics have often acknowledged Dante’s influence on the poetry of Seamus Heaney, winner of the 1995 Nobel Prize in Literature. During the conflict in Northern Ireland, Dante’s political and lingui...
评论家们经常承认但丁对 1995 年诺贝尔文学奖得主西默斯-希尼的诗歌产生了影响。在北爱尔兰冲突期间,但丁的政治和语言影响了他的诗歌。
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引用次数: 0
Pasolini and Popular Music 帕索里尼与流行音乐
Pub Date : 2024-07-08 DOI: 10.1080/02614340.2024.2355807
Karen T. Raizen
This article explores popular music in the films of Pier Paolo Pasolini. Pasolini conceived of two broad categories of popular music: folk music, which he understood to represent pre-capitalistic, ...
本文探讨了皮埃尔-保罗-帕索里尼电影中的流行音乐。帕索里尼认为流行音乐可分为两大类:民间音乐,他认为民间音乐代表了前资本主义时代的、...
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引用次数: 0
Eugenio Montale’s Loose Endecasillabi 欧亨尼奥-蒙塔里的松散型 Endecasillabi
Pub Date : 2024-07-08 DOI: 10.1080/02614340.2024.2342629
Stefano Versace
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引用次数: 0
From Distance to Difference: Knowledge and Error in Leopardi 从距离到差异:莱奥帕尔迪的知识与错误
Pub Date : 2024-05-30 DOI: 10.1080/02614340.2024.2342633
Francesco Giusti
Leopardi’s philosophical questions are often approached in straightforwardly ontological terms, thus detracting from the distinctiveness of his theoretical struggle. This article argues instead tha...
莱奥帕尔迪的哲学问题常常被直截了当地从本体论的角度来探讨,从而削弱了他理论斗争的独特性。这篇文章认为,莱奥帕尔迪的哲学问题...
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引用次数: 0
Alienation, Innocence, and Death in Naples: Unmasking the Poetic World of Antonio De Curtis 那不勒斯的异化、纯真与死亡:揭开安东尼奥-德-柯蒂斯诗歌世界的面纱
Pub Date : 2024-04-05 DOI: 10.1080/02614340.2024.2327238
Frances Clemente
As well as being one of the greatest comedians of the twentieth century, Antonio De Curtis (1898–1967), better known by the pseudonym of Totò (his comedic mask), was also a noteworthy dialectal poe...
安东尼奥-德-柯蒂斯(1898-1967 年)是二十世纪最伟大的喜剧演员之一,笔名托托(他的喜剧面具)。
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引用次数: 0
Teresa Ciabatti’s Poetics of the Inanimate: Talking Dolls, Living Dolls, and Puppets Teresa Ciabatti 的《无生命的诗学》:会说话的玩偶、有生命的玩偶和木偶
Pub Date : 2024-02-23 DOI: 10.1080/02614340.2024.2313918
Marta Cerreti
The article examines the presence of dolls in the work of writer Teresa Ciabatti and isolates four narrative functions carried out by dolls. First, the protagonists' identification with broken doll...
文章研究了作家特雷莎-西亚巴蒂作品中玩偶的存在,并分离出玩偶的四种叙事功能。首先,主人公对破损玩偶的认同感,以及对玩偶的...
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引用次数: 0
Keep Your Dreams Alive: Lazzaro felice, Authoritarian Liberalism, and the Slow Death of Progress in the Italian Second Republic 保持梦想:拉扎罗-费利切、专制自由主义和意大利第二共和国进步的缓慢消亡
Pub Date : 2023-12-29 DOI: 10.1080/02614340.2023.2288509
Aidan Power
This article considers Lazzaro felice (Alice Rohrwacher, 2018) as counter-history to the neoliberal takeover of the modern Italian state. Specifically, it argues the film’s characters serve as witn...
本文将《Lazzaro felice》(爱丽丝-罗尔瓦赫,2018 年)视为新自由主义接管现代意大利国家的反历史。具体而言,文章认为影片中的人物是新自由主义接管现代意大利国家的反历史。
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引用次数: 0
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