{"title":"Circuits of mobility in Love and Duty","authors":"Kristine Harris","doi":"10.1080/17508061.2024.2335119","DOIUrl":null,"url":null,"abstract":"When the 1931 Shanghai film Love and Duty was rediscovered in 1993, it garnered attention as a masterpiece of film melodrama and the earliest extant work starring Ruan Lingyu. Yet nearly a century ...","PeriodicalId":43535,"journal":{"name":"Journal of Chinese Cinemas","volume":"2011 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Chinese Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17508061.2024.2335119","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
When the 1931 Shanghai film Love and Duty was rediscovered in 1993, it garnered attention as a masterpiece of film melodrama and the earliest extant work starring Ruan Lingyu. Yet nearly a century ...
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