{"title":"Hou Hsiao-Hsien’s acousmatic sound: Listening to urban noises and decadent music in Daughter of the Nile","authors":"Kun Xian Shen","doi":"10.1080/17508061.2024.2376965","DOIUrl":null,"url":null,"abstract":"This paper reconsiders the mediation of urban noises and decadent music in Hou Hsiao-hsien’s long-overlooked film Daughter of the Nile (1987) under the contexts of noise control and popular enterta...","PeriodicalId":43535,"journal":{"name":"Journal of Chinese Cinemas","volume":"53 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Chinese Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17508061.2024.2376965","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
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Abstract
This paper reconsiders the mediation of urban noises and decadent music in Hou Hsiao-hsien’s long-overlooked film Daughter of the Nile (1987) under the contexts of noise control and popular enterta...
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