Gladiatori și spectacole în amfiteatru în cetăţile greceşti de la Pontul Euxin

R. Feraru
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Abstract

Abstract tradus Our study proposes to discuss several aspects related to the gladiators attested in the Greek cities of the Pontus Euxinus (Chersones, Histria, Tomis, Callatis, Dionysopolis, Odessos, Byzantion, Sinope, Amisos), such as the names, social status and mentality of these amphitheatre fighters. Our analysis also focuses on the equipment and weapons of the gladiators, their fighting techniques and the various aspects of the organisation of gladiatorial combat. Our research is based on the study of epigraphic and archaeological documents (bas-reliefs). Inscriptions and reliefs attest several types of gladiators, such as retiarius, secutor, scissor, provocator and bestiarius. The names of the gladiators reflect their winning qualities and their physical or moral qualities. Most gladiators were slaves or free men. Documents from Tomis from the 2nd-3rd centuries AD confirm that gladiatorial fights and beast hunts in the amphitheatre are closely linked to the imperial cult. At Tomis, Odessos, Sinope and Amisos, the organisers of these spectacles were at the same time pontarchs and high priests of the imperial cult. Gladiator fights took place in amphitheatres (at Tomis) and other specially designed venues such as theatres (at Odessos). Nemesis and Ares are the patron deities of gladiators.
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庞图斯欧西努斯希腊要塞的角斗士和圆形剧场表演
Abstract tradus 我们的研究拟讨论与庞图斯欧西努斯(Pontus Euxinus)希腊城市(切尔泽内斯、希斯特里亚、托米斯、卡拉提斯、狄奥尼索波利斯、奥德索斯、拜赞提安、西诺普、阿米索斯)的角斗士有关的几个方面,如这些圆形剧场角斗士的姓名、社会地位和心态。我们的分析还侧重于角斗士的装备和武器、角斗技巧以及角斗组织的各个方面。我们的研究基于对书法和考古文献(浮雕)的研究。碑文和浮雕证明了角斗士的几种类型,如retiarius、secutor、scissor、provocator 和 bestiarius。角斗士的名字反映了他们获胜的素质以及身体或道德品质。大多数角斗士都是奴隶或自由人。公元 2-3 世纪托米斯的文献证实,圆形剧场中的角斗和猎兽与帝国崇拜密切相关。在托米斯、奥德索斯、西诺普和阿米索斯,这些表演的组织者同时也是帝国崇拜的祭司和大祭司。角斗士格斗在圆形剧场(托米斯)和其他专门设计的场所进行,如剧院(奥德索斯)。复仇女神和阿瑞斯是角斗士的守护神。
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