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The Sanctuaries of Iupiter Dolichenus in the Danubian Provinces. A functional interpretation 多瑙河流域的 Iupiter Dolichenus 圣地。功能解读
Pub Date : 2024-07-16 DOI: 10.46535/ca.31.1.06
Ioan Muntean
This article delves into the structure of Iupiter Dolichenus temples, focusing on its sanctuaries in the Danubian Provinces of Dacia, Pannonia Inferior, Pannonia Superior, Raetia, and Noricum. It emphasizes the need for a nuanced understanding of the cult's role in the religious landscape, cautioning against oversimplified theoretical approaches. Eight Dolichenus cult structures had archaeologically been identified in these provinces (Mehadia, Porolissum, Brigetio, Vetus Salina, Carnuntum I, Carnuntum II, Virunum, Vetoniana), showcasing the cult's manifestation on a broader scale. The study focuses on analyzing these temples' architectural features and functionalities, highlighting both differences and similarities. The article aims to provide a detailed examination of each sanctuary, considering phases of construction, alterations, and factors contributing to variations, through the analysis of archaeological finds and architectural characteristics related to the sanctuaries, it seeks to establish patterns and understand the role of specific chambers within these sacred precincts.
这篇文章深入探讨了伊庇特-多利切努斯神庙的结构,重点是其在达契亚、下潘诺尼亚、上潘诺尼亚、拉伊提亚和诺里库姆等多瑙河省份的圣地。报告强调需要细致入微地了解该邪教在宗教景观中的作用,告诫人们不要采用过于简单的理论方法。在这些省份(Mehadia、Porolissum、Brigetio、Vetus Salina、Carnuntum I、Carnuntum II、Virunum、Vetoniana)考古发现了八座多利希纳斯崇拜建筑,展示了该崇拜在更大范围内的表现形式。研究重点是分析这些神庙的建筑特点和功能,突出其异同点。文章旨在通过分析考古发现和与圣殿相关的建筑特点,对每个圣殿进行详细研究,考虑建造阶段、改建和造成变化的因素,试图建立模式并了解这些圣殿中特定房间的作用。
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引用次数: 0
Women and Roman religion in Dacia: the epigraphic evidence 达契亚的妇女与罗马宗教:书信证据
Pub Date : 2024-07-16 DOI: 10.46535/ca.31.1.07
Csaba Szabó
The role of women in Roman religious communication is a growing research field, with several significant focus points and case studies. Understanding the role of women in religious communication within provincial contexts is one of the most fertile areas of research, yet it has not been thoroughly examined within the Danubian provinces. This study marks the first instance in historiography of Dacia where the focus is placed on exploring the role of women in Roman religious communication within the province, employing the comprehensive analysis of all available epigraphic evidence (112 inscriptions). The study provides methodological insights and underscores key research points for future systematic work that needs to be undertaken in the Danubian provinces.
妇女在罗马宗教传播中的作用是一个不断发展的研究领域,其中有几个重要的焦点和案例研究。了解妇女在各省背景下的宗教传播中的作用是最富饶的研究领域之一,但在多瑙河流域各省,这一问题尚未得到深入研究。本研究是达契亚史学界首次将重点放在探索妇女在该省罗马宗教传播中的作用上,并对所有可用的史书证据(112 块碑文)进行了全面分析。该研究提供了方法论方面的见解,并强调了今后需要在多瑙河流域省份开展的系统工作的关键研究点。
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引用次数: 0
Cu privire la fibulele de tip Kostrzewski G din silvostepa carpato-nipreană 论喀尔巴阡山-日喀则希沃斯特草原的 Kostrzewski G 型纤维群
Pub Date : 2024-07-16 DOI: 10.46535/ca.31.1.03
Vasile Iarmulschi
The article discusses various aspects of the Kostrzewski G type fibulae found in the Carpathian-Dnepr foreststeppe. So far, three such brooches have been discovered in this area. Regrettably, in the Southeast European speciality literature, these pieces have not aroused interest despite their value; they are only mentioned in passing. The return to the interpretation of these fibulae, by examining them and documenting the existing analogies, has made it possible to establish their chronological framework and origin. The study of these staples may provide evidence of links between Central Europe and the Carpathian-Dnepr foreststeppe at the end of the first millennium BC.
文章讨论了在喀尔巴阡山-第聂伯森林草原发现的 Kostrzewski G 型伊夫布拉的各个方面。迄今为止,该地区已发现三枚此类胸针。遗憾的是,在东南欧的专业文献中,这些作品尽管价值不菲,却并未引起人们的兴趣,只是一带而过。通过研究和记录现有的类比,重新对这些纤维器进行解释,可以确定其年代框架和来源。对这些钉书针的研究可以为公元前一千年末中欧与喀尔巴阡山-第聂伯河森林草原之间的联系提供证据。
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引用次数: 0
Gladiatori și spectacole în amfiteatru în cetăţile greceşti de la Pontul Euxin 庞图斯欧西努斯希腊要塞的角斗士和圆形剧场表演
Pub Date : 2024-07-16 DOI: 10.46535/ca.31.1.08
R. Feraru
Abstract tradus Our study proposes to discuss several aspects related to the gladiators attested in the Greek cities of the Pontus Euxinus (Chersones, Histria, Tomis, Callatis, Dionysopolis, Odessos, Byzantion, Sinope, Amisos), such as the names, social status and mentality of these amphitheatre fighters. Our analysis also focuses on the equipment and weapons of the gladiators, their fighting techniques and the various aspects of the organisation of gladiatorial combat. Our research is based on the study of epigraphic and archaeological documents (bas-reliefs). Inscriptions and reliefs attest several types of gladiators, such as retiarius, secutor, scissor, provocator and bestiarius. The names of the gladiators reflect their winning qualities and their physical or moral qualities. Most gladiators were slaves or free men. Documents from Tomis from the 2nd-3rd centuries AD confirm that gladiatorial fights and beast hunts in the amphitheatre are closely linked to the imperial cult. At Tomis, Odessos, Sinope and Amisos, the organisers of these spectacles were at the same time pontarchs and high priests of the imperial cult. Gladiator fights took place in amphitheatres (at Tomis) and other specially designed venues such as theatres (at Odessos). Nemesis and Ares are the patron deities of gladiators.
Abstract tradus 我们的研究拟讨论与庞图斯欧西努斯(Pontus Euxinus)希腊城市(切尔泽内斯、希斯特里亚、托米斯、卡拉提斯、狄奥尼索波利斯、奥德索斯、拜赞提安、西诺普、阿米索斯)的角斗士有关的几个方面,如这些圆形剧场角斗士的姓名、社会地位和心态。我们的分析还侧重于角斗士的装备和武器、角斗技巧以及角斗组织的各个方面。我们的研究基于对书法和考古文献(浮雕)的研究。碑文和浮雕证明了角斗士的几种类型,如retiarius、secutor、scissor、provocator 和 bestiarius。角斗士的名字反映了他们获胜的素质以及身体或道德品质。大多数角斗士都是奴隶或自由人。公元 2-3 世纪托米斯的文献证实,圆形剧场中的角斗和猎兽与帝国崇拜密切相关。在托米斯、奥德索斯、西诺普和阿米索斯,这些表演的组织者同时也是帝国崇拜的祭司和大祭司。角斗士格斗在圆形剧场(托米斯)和其他专门设计的场所进行,如剧院(奥德索斯)。复仇女神和阿瑞斯是角斗士的守护神。
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引用次数: 0
Axiopolis. Stadiul actual al cunoașterii 公理城。知识现状
Pub Date : 2024-07-16 DOI: 10.46535/ca.31.1.10
Ioan Carol Opriș
Universitatea din București
布加勒斯特大学
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引用次数: 0
Cavalerul în turnir, temă iconografică redată pe cahle medievale din Muntenia 比武中的骑士,这是瓦拉几亚中世纪匣子上描绘的一个图像主题
Pub Date : 2024-07-16 DOI: 10.46535/ca.31.1.17
Maria-Venera Rădulescu
The stove tiles from the 15th and 16th centuries discovered in some countries in Central Europe often approach, as decoration, the theme of the medieval knight. The archaeological research carried out on the territory of Romania brought to light a vast and diverse material related to this subject. The present study analyzes three stove tiles discovered in Muntenia - at Târgovişte and Curtea de Argeş, former princely courts and capitals of Wallachia, in the Middle Ages, pieces whose iconographic theme is “the knight in the tournament”. The specimens, chronologically dated between the end of the 14th century and the 16th century, stand out for the original character of the compositions.
在中欧一些国家发现的 15 和 16 世纪的炉砖通常以中世纪骑士为装饰主题。在罗马尼亚境内进行的考古研究揭示了与这一主题相关的大量不同材料。本研究分析了中世纪在蒙泰尼亚(Muntenia)--瓦拉几亚的前王子宫廷和首都塔尔戈维斯特(Târgovişte)和库尔泰亚-德阿尔盖什(Curtea de Argeş)--发现的以 "比武中的骑士 "为主题图案的三块炉瓦。这些标本按时间顺序排列在 14 世纪末至 16 世纪之间,因其构图新颖而引人注目。
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引用次数: 0
Six Sassanian artworks engraved with hunters: king, crown prince, aristocrat or pretender to the throne? 六件刻有猎人图案的萨珊艺术品:国王、王储、贵族还是王位的伪装者?
Pub Date : 2024-07-16 DOI: 10.46535/ca.31.1.14
P. M. Khak, S. M. M. Kouhpar, Hasan Kohansal Vajargah, Qilong Cui
This article focuses on six Sassanian plates that have caused contradictory opinions about those depicted on them. Considering these works and a historical context, the authors have assessed the prevailing opinions and expressed their own views and probabilities. As such, the person engraved on the four Sassanian works is probably a prince who ruled northern and northeastern regions of Iran during the 4th and early 5th centuries AD and was in contact with nomadic tribes between Iran and China.
本文重点介绍了六块萨珊王朝的版画,这些版画上所描绘的人物曾引起过相互矛盾的观点。考虑到这些作品和历史背景,作者对主流观点进行了评估,并表达了自己的观点和可能性。因此,四幅萨珊作品上所刻之人很可能是公元 4 世纪至 5 世纪初统治伊朗北部和东北部地区的一位王子,他与伊朗和中国之间的游牧部落有联系。
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引用次数: 0
The Epigraphic Testimonies from Timacum Maius (Eastern Moesia Superior): The Important Clues for the Character and Organization of Naissus Region Timacum Maius(东摩西亚上部)的书信证据:奈苏斯地区特征和组织的重要线索
Pub Date : 2024-07-16 DOI: 10.46535/ca.31.1.09
Vladimir P. Petrović
For more than ten years in a row, archaeologists of the Institute for Balkan Studies of SASA of the Serbian Academy of Sciences and Arts, in cooperation with the Ausonius Institute from Bordeaux, have been conducting archaeological research on the Roman and Byzantine settlement located in the area of the village of Niševac near Svrljig, in the Svrljiški Timok River valley. It was the first station on the Roman itinerary road between Naissus (Niš) and Trajan's colony of Ratiaria on the Danube (Archar in northwestern Bulgaria). In addition to significant architectural remains and various archaeological findings, some inscriptions in Latin and Greek are also known from this area. This bilingualism of the texts indicates the very location of Timacum Maius, which was located on a vital communication line and a linguistic and administrative interprovincial barrier. Although chronologically different, the epigraphic findings I report raise broader scientific questions about the significance of this ancient settlement and its population, especially in the early military history of the Naissus region.
连续十多年来,塞尔维亚科学和艺术研究院巴尔干研究所的考古学家们与波尔多的奥索尼乌斯研究所合作,对位于斯弗尔吉斯基蒂莫克河谷斯弗尔尔吉格附近尼舍瓦茨村地区的罗马和拜占庭时期定居点进行了考古研究。它是奈苏斯(尼什)和多瑙河畔特拉扬殖民地拉蒂亚里亚(保加利亚西北部的阿尔查尔)之间罗马路线上的第一站。除了重要的建筑遗迹和各种考古发现外,该地区还出土了一些拉丁文和希腊文碑文。这些双语碑文表明了 Timacum Maius 的地理位置,它位于一条重要的交通线上,也是省际语言和行政管理的屏障。尽管在年代上有所不同,但我所报告的墓志发现提出了更广泛的科学问题,即这一古代定居点及其人口的意义,尤其是在奈苏斯地区早期军事史上的意义。
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引用次数: 0
Grylloi: A Being with Mixed Depictions from Konya 格里洛伊来自科尼亚的混合描绘生物
Pub Date : 2024-07-16 DOI: 10.46535/ca.31.1.12
Nizam Abay
This study is based on a mixed figure on a ring stone from the Roman period (1st - 2nd. century AD) preserved in the Konya Archaeology Museum. This figure is seen as a combination of four elements: a horse protome, a Silenus mask body, rooster feet and a ram's head. This depiction, which is encountered in different typologies in Antiquity, is called Grylloi. A Greek-Roman word, widely used on ring stones since the 1st century BC, this depiction is also known by other names such as mask-animal, multi-headed creatures and fantastic concoction. These beings, usually depicted on oval rings with easily workable jasper stones, were thought to be worn as talismans or amulets with an apotropaic function. In this way, they were probably intended to ward off evil, possibly as amulets.
本研究基于科尼亚考古博物馆保存的罗马时期(公元 1-2 世纪)环形石上的一个混合图形。该雕像由四个元素组合而成:马原型、西莱纳斯面具身体、公鸡脚和公羊头。这种在古代以不同类型出现的雕像被称为 "蝼蛄"。这是一个希腊-罗马词汇,自公元前 1 世纪以来被广泛用于戒指宝石上,它还有其他名称,如面具动物、多头生物和奇妙的混合物。这些生物通常被刻画在椭圆形的戒指上,戒指上的碧玉宝石易于加工,被认为是具有护身符功能的护身符。因此,它们可能是用来避邪的,也可能是护身符。
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引用次数: 0
Newly discovered inscriptions from the armenian cathedral of st. James in Jerusalem 耶路撒冷圣雅各布亚亚美尼亚大教堂新发现的碑文
Pub Date : 2024-07-16 DOI: 10.46535/ca.31.1.15
Khachik Harutyunyan
The article focuses on the epigraphic legacy of the Armenian Cathedral of St. James in Jerusalem and its recently discovered inscriptions. Since the late 19th century, scholars have been gathering and publishing epigraphs from the Armenian Quarter of Jerusalem, encompassing not just the Cathedral but also other sanctuaries, and the neighbourhoods within the convent. These efforts have provided a valuable resource for those interested in the history of Armenians in the Holy Land. Similar to inscriptions found in other sanctuaries across the Holy Land, those found in the St. James Cathedral were left by both congregants of the Cathedral and Armenian pilgrims who visited the Holy Land over the centuries. Local inscriptions typically include details about the individuals mentioned, such as their families, birthplaces, and occupations. These sources frequently document renovations or constructions, shedding light on known and previously unknown projects undertaken in the area. Through epigraphic research conducted in Jerusalem in 2019 and 2022, several inscriptions previously absent from earlier editions were discovered in the Cathedral. This article presents 10 of these newly found inscriptions, accompanied by images and explanatory notes.
文章重点介绍耶路撒冷圣雅各福群亚美尼亚大教堂的书法遗产及其最近发现的碑文。自 19 世纪末以来,学者们一直在收集和出版耶路撒冷亚美尼亚区的碑文,不仅包括大教堂,还包括其他圣所和修道院内的居民区。这些工作为那些对圣地亚美尼亚人历史感兴趣的人提供了宝贵的资源。与圣地其他圣所中发现的碑文相似,圣詹姆斯大教堂中发现的碑文也是大教堂的教徒和几个世纪以来到圣地朝圣的亚美尼亚人留下的。当地的碑文通常包括被提及个人的详细信息,如家庭、出生地和职业。这些资料通常记录了翻修或建筑工程,揭示了该地区已知和以前未知的项目。通过 2019 年和 2022 年在耶路撒冷进行的书法研究,在大教堂中发现了一些以前的版本中没有的碑文。本文介绍了其中 10 块新发现的碑文,并附有图片和解释说明。
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引用次数: 0
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Cercetări Arheologice
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