{"title":"The Banshees of Inisherin Filminde Modern Trajik Karakterler","authors":"Elif Taşdemir Şanlı","doi":"10.26650/filmvisio.2024.0003","DOIUrl":null,"url":null,"abstract":"While tragic art creates the opportunity to reveal the contradictions and conflicts of the period in which it emerged in both social and individual contexts, it can also reveal a universal human condition. Just as wars, deaths, and natural and man-made disasters can be described as ‘tragic,’ individual situations such as separations, despair, and anxiety can also be tragic. The originally applied form of tragedies, which we know to have emerged in Ancient Greece in the fifth century BC, has changed over the centuries, as have the changing culture, society, and forms of government. In Ancient Greek tragedies, which generally take their subject from myths, the place of the noble hero who incurred the wrath of the gods, exceeded the boundaries beyond measure, and committed a tragic crime has been replaced by ordinary people who experience tragic situations, sometimes due to external reasons arising from the existing order, and sometimes due to the end of a friendship, in modern tragedies. This paper aims to discuss in","PeriodicalId":516746,"journal":{"name":"Filmvisio","volume":" 8","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Filmvisio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26650/filmvisio.2024.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
While tragic art creates the opportunity to reveal the contradictions and conflicts of the period in which it emerged in both social and individual contexts, it can also reveal a universal human condition. Just as wars, deaths, and natural and man-made disasters can be described as ‘tragic,’ individual situations such as separations, despair, and anxiety can also be tragic. The originally applied form of tragedies, which we know to have emerged in Ancient Greece in the fifth century BC, has changed over the centuries, as have the changing culture, society, and forms of government. In Ancient Greek tragedies, which generally take their subject from myths, the place of the noble hero who incurred the wrath of the gods, exceeded the boundaries beyond measure, and committed a tragic crime has been replaced by ordinary people who experience tragic situations, sometimes due to external reasons arising from the existing order, and sometimes due to the end of a friendship, in modern tragedies. This paper aims to discuss in