Pub Date : 2024-07-08DOI: 10.26650/filmvisio.2024.0010
Tuba Pekol
{"title":"Interpretation of Multiple Personality Perception in Women through the Cinematic Universe","authors":"Tuba Pekol","doi":"10.26650/filmvisio.2024.0010","DOIUrl":"https://doi.org/10.26650/filmvisio.2024.0010","url":null,"abstract":"","PeriodicalId":516746,"journal":{"name":"Filmvisio","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141666655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-08DOI: 10.26650/filmvisio.2024.0003
Elif Taşdemir Şanlı
While tragic art creates the opportunity to reveal the contradictions and conflicts of the period in which it emerged in both social and individual contexts, it can also reveal a universal human condition. Just as wars, deaths, and natural and man-made disasters can be described as ‘tragic,’ individual situations such as separations, despair, and anxiety can also be tragic. The originally applied form of tragedies, which we know to have emerged in Ancient Greece in the fifth century BC, has changed over the centuries, as have the changing culture, society, and forms of government. In Ancient Greek tragedies, which generally take their subject from myths, the place of the noble hero who incurred the wrath of the gods, exceeded the boundaries beyond measure, and committed a tragic crime has been replaced by ordinary people who experience tragic situations, sometimes due to external reasons arising from the existing order, and sometimes due to the end of a friendship, in modern tragedies. This paper aims to discuss in
{"title":"The Banshees of Inisherin Filminde Modern Trajik Karakterler","authors":"Elif Taşdemir Şanlı","doi":"10.26650/filmvisio.2024.0003","DOIUrl":"https://doi.org/10.26650/filmvisio.2024.0003","url":null,"abstract":"While tragic art creates the opportunity to reveal the contradictions and conflicts of the period in which it emerged in both social and individual contexts, it can also reveal a universal human condition. Just as wars, deaths, and natural and man-made disasters can be described as ‘tragic,’ individual situations such as separations, despair, and anxiety can also be tragic. The originally applied form of tragedies, which we know to have emerged in Ancient Greece in the fifth century BC, has changed over the centuries, as have the changing culture, society, and forms of government. In Ancient Greek tragedies, which generally take their subject from myths, the place of the noble hero who incurred the wrath of the gods, exceeded the boundaries beyond measure, and committed a tragic crime has been replaced by ordinary people who experience tragic situations, sometimes due to external reasons arising from the existing order, and sometimes due to the end of a friendship, in modern tragedies. This paper aims to discuss in","PeriodicalId":516746,"journal":{"name":"Filmvisio","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141668636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-08DOI: 10.26650/filmvisio.2024.0008
Berceste Özdemir
For the 5th International Women Directors Film Festival, an interview was conducted with the directors of En Camino - México, Machismo and Clouds (2021), aiming to contribute to feminist film theory and practice. En Camino - México, Machismo and Clouds , a medium-length documentary by Isabella Cortese, Federico Fenucci, and Guiditta Vettese, addresses the issues of sexual harassment, kidnapping, physical and psychological violence, and the challenges faced by women and children in Mexico’s public sphere. These issues are depicted through the testimonies of Mexican witnesses, highlighting the legal and ethical injustices that hinder women from fully experiencing life. The documentary seeks to reveal the struggles faced by Mexican women by presenting their voices and stories. The film concludes with images of resilient women smiling, symbolizing their strong existence and offering hope, particularly to female viewers, as evidence that women will not relinquish their fight against male violence. The documentary’s significance to feminist film theory lies in its explicit portrayal of masculine domination over womanhood and the persistence of patriarchal viewpoints in contemporary society. By revisiting issues and concepts discussed by feminist film theorists, the documentary emphasizes the representation of womanhood in films. From this perspective, En Camino - México, Machismo and Clouds contributes to feminist film practice through its feminist approach in depicting women and reflecting on their ontological existence. The documentary notes that 801 women were killed in 2020, a 13% increase from 2018, underscoring the urgent need for women to unite and support each other amid rising violence. The women featured in the documentary represent the global challenges faced by women, with the hope that such representations will eventually become obsolete.
{"title":"Tracing Women’s Existence through Documentaries: En Camino - México, Machismo and Clouds","authors":"Berceste Özdemir","doi":"10.26650/filmvisio.2024.0008","DOIUrl":"https://doi.org/10.26650/filmvisio.2024.0008","url":null,"abstract":"For the 5th International Women Directors Film Festival, an interview was conducted with the directors of En Camino - México, Machismo and Clouds (2021), aiming to contribute to feminist film theory and practice. En Camino - México, Machismo and Clouds , a medium-length documentary by Isabella Cortese, Federico Fenucci, and Guiditta Vettese, addresses the issues of sexual harassment, kidnapping, physical and psychological violence, and the challenges faced by women and children in Mexico’s public sphere. These issues are depicted through the testimonies of Mexican witnesses, highlighting the legal and ethical injustices that hinder women from fully experiencing life. The documentary seeks to reveal the struggles faced by Mexican women by presenting their voices and stories. The film concludes with images of resilient women smiling, symbolizing their strong existence and offering hope, particularly to female viewers, as evidence that women will not relinquish their fight against male violence. The documentary’s significance to feminist film theory lies in its explicit portrayal of masculine domination over womanhood and the persistence of patriarchal viewpoints in contemporary society. By revisiting issues and concepts discussed by feminist film theorists, the documentary emphasizes the representation of womanhood in films. From this perspective, En Camino - México, Machismo and Clouds contributes to feminist film practice through its feminist approach in depicting women and reflecting on their ontological existence. The documentary notes that 801 women were killed in 2020, a 13% increase from 2018, underscoring the urgent need for women to unite and support each other amid rising violence. The women featured in the documentary represent the global challenges faced by women, with the hope that such representations will eventually become obsolete.","PeriodicalId":516746,"journal":{"name":"Filmvisio","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141669637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-07-08DOI: 10.26650/filmvisio.2024.0002
Mustafa Matbouly
Every year throughout the holy month of Ramadan, Egyptians regularly watch television dramas. Viewership reaches its peak during Ramadan
每年斋月期间，埃及人都会定期观看电视剧。斋月期间的收视率达到顶峰
{"title":"Watching Ramadan Drama and Egyptians’ Preference for Video Streaming Services Over Traditional Television: A Survey Study","authors":"Mustafa Matbouly","doi":"10.26650/filmvisio.2024.0002","DOIUrl":"https://doi.org/10.26650/filmvisio.2024.0002","url":null,"abstract":"Every year throughout the holy month of Ramadan, Egyptians regularly watch television dramas. Viewership reaches its peak during Ramadan","PeriodicalId":516746,"journal":{"name":"Filmvisio","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141670489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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