A Stylistic Analysis of Foregrounding in Sonnet 18

Xiaoyue Wu
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Abstract

This paper provides a stylistic analysis of William Shakespeare’s Sonnet 18, focusing on the concept of foregrounding. The analysis is divided into two main parts: graphological deviation and semantic deviation. Graphological deviation examines the use of punctuation marks such as colons, semicolons, and question marks to create visual and syntactic emphasis. Semantic deviation explores rhetorical devices like personification, rhyme scheme, repetition, and the specific choice of verbs and adjectives to uncover the thematic resonance and layered meanings in the sonnet. The study highlights how these deviations collectively enhance the thematic impact of Sonnet 18, showcasing Shakespeare’s mastery in using stylistic elements to convey the enduring beauty and timeless nature of love. The paper concludes by discussing the broader implications of these findings for understanding Shakespearean poetry and suggests directions for future research in this field.
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对十四行诗 18 中前景描写的文体分析
本文对威廉-莎士比亚的《十四行诗 18》进行了文体分析,重点是前景概念。分析分为两个主要部分:图形偏差和语义偏差。图形偏差研究了标点符号的使用,如冒号、分号和问号,以产生视觉和句法上的强调。语义偏差探讨了拟人、韵律、重复以及动词和形容词的具体选择等修辞手段,以揭示十四行诗中的主题共鸣和多层含义。研究强调了这些偏差如何共同增强了十四行诗 18 的主题影响力,展示了莎士比亚在运用文体元素传达爱情的恒久之美和永恒本质方面的高超技艺。论文最后讨论了这些发现对理解莎士比亚诗歌的广泛影响,并提出了该领域未来研究的方向。
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