Linking music, place and heritage: Anthonie Tonnon's Rail Land

IF 1.3 4区 社会学 Q2 GEOGRAPHY New Zealand Geographer Pub Date : 2024-07-20 DOI:10.1111/nzg.12396
Robin Kearns
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Abstract

I investigate intersections between music and mobilities as manifested in songwriter and musician Anthonie Tonnon's Rail Land tour of 2019–20. These concerts celebrated New Zealand's passenger rail heritage through not only performance but also by mobilising the audience to travel by train to the concert venue. The curation of both journey and destination amounted to a subtle activism. In influencing the way people travelled to his shows, Tonnon effectively remobilised a consideration of train travel in which the journey was arguably as memorable as the destination. As such, the artist was contributing to a re‐entwining of music, identity and place.
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将音乐、地点和遗产联系起来:安东尼-汤农的铁路之地
我研究了音乐与移动性之间的交集,这体现在歌曲作者兼音乐家安东尼-托农(Anthonie Tonnon)2019-20年的 "铁路之地 "巡演中。这些音乐会不仅通过表演,还通过动员观众乘坐火车前往音乐会举办地,来庆祝新西兰的铁路客运遗产。对旅程和目的地的策划相当于一种微妙的行动主义。通过影响人们前往演出地点的方式,托农有效地重新调动了人们对火车旅行的关注,可以说旅程与目的地同样令人难忘。因此,这位艺术家为音乐、身份和地点的重新结合做出了贡献。
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来源期刊
CiteScore
2.40
自引率
8.30%
发文量
25
期刊介绍: For over 50 years the New Zealand Geographer has been the internationally refereed journal of the New Zealand Geographical Society. The Society represents professional geographers in academic, school, business, government, community and other spheres in New Zealand and the South Pacific. The journal publishes academic papers on aspects of the physical, human and environmental geographies, and landscapes, of its region; commentaries and debates; discussions of educational questions and scholarship of concern to geographers; short interventions and assessments of topical matters of interest to university and high school teachers; and book reviews.
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