Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach

IF 0.5 2区 艺术学 0 MUSIC Twentieth-Century Music Pub Date : 2024-08-29 DOI:10.1017/s1478572224000082
ULRIK VOLGSTEN
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Abstract

An utterly remarkable device [the phonograph] … and no one can as yet envision all the remarkable that may follow from this invention. Ann Charlotte Leffler (1878)1
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战时的孤独聆听、版权和再创作:话语理论方法
留声机]是一种非常了不起的设备......目前还没有人能预料到这项发明可能带来的一切非凡。安-夏洛特-勒弗勒(1878 年)1
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32
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Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach Neoliberal Reason, Contemporary Music, and Proximal Critique The Panama Songs: Colonial Structures in US Popular Music between 1900 and 1920 The British (and International?) Music Society: Australian Identity and Musical Internationalism in Interwar Sydney Whiteness and the Problem of Colourblind Listening: Revisiting Leonard Feather's 1951 Blindfold Test with Roy Eldridge
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