NECROMANCY IN RENAISSANCE ROME

Abstract

Florence, Bibliotheca Riccardiana MS 996 is an interesting miscellany of late fifteenth- and early sixteenth-century texts. Among the manuscript's curious content is Dominici Cerbonii Tifernatis TERtheus Magus (‘The Triple God Magus of Domenico Cerbonio from Città di Castello’, fols 7r–10v). Evenly written in a neat humanistic cursive, with rubrication for the titles and a single marginal note (interpreted here as a stage direction), these folios form an account, in Latin prose and verse, of a necromantic ritual performed by members of the Roman Academy in which the shades of Cicero and Virgil are conjured from the pagan underworld to admire the Renaissance city. It is tempting to take this pagan rite as proof of the charges of heresy levelled at members of the Academy for which they were arrested and imprisoned in Castel Sant'Angelo on the orders of Pope Paul II Barbo (r. 1464–71) during Lent, 1468. However, this paper argues that the texts are evidence of a dramatic performance with scenery (or at least a theatrical backdrop) staged by the members of the reformed Academy as part of their annual celebrations of the Palilia (or Parilia) on Rome's birthday 21 April c. 1501.