A postcolonial feminist representation of motherhood in recent Bollywood sports movies

IF 1.5 3区 社会学 Q2 WOMENS STUDIES Womens Studies International Forum Pub Date : 2025-02-11 DOI:10.1016/j.wsif.2025.103062
Sushree Routray, Rashmi Gaur
{"title":"A postcolonial feminist representation of motherhood in recent Bollywood sports movies","authors":"Sushree Routray,&nbsp;Rashmi Gaur","doi":"10.1016/j.wsif.2025.103062","DOIUrl":null,"url":null,"abstract":"<div><div>Contemporary Bollywood sports dramas grapple with the tension between cultural expectations of motherhood and the aspirations of women sportspersons. These narratives challenge biological determinism and societal pressures defining a ‘good’ mother as they strive to carve their individual identities. Amidst neoliberal expectations of intensive motherhood and helicopter parenting, these athletes navigate maternal guilt and ambivalence as they attempt comebacks, often burdened by anxieties about their children. Shaped by a confluence of cultural stereotypes, mythical narratives, and gendered nationalist discourses, maternal figures in Indian society are often reified, obscuring the complexities of their gendered being within a society steeped in patriarchy. Exemplary sports films such as <em>Mary Kom</em> (2014), <em>Saand Ki Aankh</em> (2019), and <em>Panga</em> (2020) represent the lived experiences of women athletes navigating a conflicting landscape where marriage and motherhood are often perceived as the ultimate biological destiny for women. The clash between the roles of mother and athlete unfolds as a narrative tension, where traditional femininity embodies passivity and dependence, while sport champions autonomy and assertiveness, inevitably leading to what Helen Lenskyj terms ‘role conflict’. Caught between selflessness and selfishness, anxiety and ambivalence, these women athletes refuse to conform to the male gaze, rejecting patriarchal expectations of self-sacrificing mothers, dutiful daughters, and unconditionally supportive wives. This paper employs a postcolonial feminist narrative to examine Bollywood films, revealing how seemingly individual choices by sportswomen are situated within broader social hierarchies and power structures. By examining the impact of family support and marital connections on athletes' subjective experiences, this study also questions the gendered narratives of postcolonial sports movies, unravelling their capacity to surpass conventional prejudices against women sportspersons in India.</div></div>","PeriodicalId":47940,"journal":{"name":"Womens Studies International Forum","volume":"109 ","pages":"Article 103062"},"PeriodicalIF":1.5000,"publicationDate":"2025-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Womens Studies International Forum","FirstCategoryId":"90","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S0277539525000111","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"WOMENS STUDIES","Score":null,"Total":0}
引用次数: 0

Abstract

Contemporary Bollywood sports dramas grapple with the tension between cultural expectations of motherhood and the aspirations of women sportspersons. These narratives challenge biological determinism and societal pressures defining a ‘good’ mother as they strive to carve their individual identities. Amidst neoliberal expectations of intensive motherhood and helicopter parenting, these athletes navigate maternal guilt and ambivalence as they attempt comebacks, often burdened by anxieties about their children. Shaped by a confluence of cultural stereotypes, mythical narratives, and gendered nationalist discourses, maternal figures in Indian society are often reified, obscuring the complexities of their gendered being within a society steeped in patriarchy. Exemplary sports films such as Mary Kom (2014), Saand Ki Aankh (2019), and Panga (2020) represent the lived experiences of women athletes navigating a conflicting landscape where marriage and motherhood are often perceived as the ultimate biological destiny for women. The clash between the roles of mother and athlete unfolds as a narrative tension, where traditional femininity embodies passivity and dependence, while sport champions autonomy and assertiveness, inevitably leading to what Helen Lenskyj terms ‘role conflict’. Caught between selflessness and selfishness, anxiety and ambivalence, these women athletes refuse to conform to the male gaze, rejecting patriarchal expectations of self-sacrificing mothers, dutiful daughters, and unconditionally supportive wives. This paper employs a postcolonial feminist narrative to examine Bollywood films, revealing how seemingly individual choices by sportswomen are situated within broader social hierarchies and power structures. By examining the impact of family support and marital connections on athletes' subjective experiences, this study also questions the gendered narratives of postcolonial sports movies, unravelling their capacity to surpass conventional prejudices against women sportspersons in India.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
2.50
自引率
7.10%
发文量
63
审稿时长
79 days
期刊介绍: Women"s Studies International Forum (formerly Women"s Studies International Quarterly, established in 1978) is a bimonthly journal to aid the distribution and exchange of feminist research in the multidisciplinary, international area of women"s studies and in feminist research in other disciplines. The policy of the journal is to establish a feminist forum for discussion and debate. The journal seeks to critique and reconceptualize existing knowledge, to examine and re-evaluate the manner in which knowledge is produced and distributed, and to assess the implications this has for women"s lives.
期刊最新文献
Women's specifications to design a smartphone app to provide psychological care during reproductive treatments: Qualitative study with patients and professionals Claiming queerness on Weibo: Public interaction discourse towards Chinese queer women athletes and their chugui A tale of embodied domination, queer feelings, and decolonial disruption in sport Policy contention and the movement-party relationship: Pro-choice mobilization in Poland, 2020–21 Intersectional violence against women in Gaza amidst genocide
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1