{"title":"Rusty, Suppurated, and Discharged like Sēpía Ink: Scientific Knowledge, Animal Lore, and Colour Classification in Plutarch’s De Sera Num. 26, 565b–d","authors":"Daniele Morrone","doi":"10.1163/15733823-20251336","DOIUrl":null,"url":null,"abstract":"<p>The theological and eschatological dialogue <i>De sera numinis vindicta</i> (“On the Slowness of the Divinity to Punish”) by Plutarch of Chaeronea (first–second century <span style=\"font-variant: small-caps;\">CE</span>) contains precise references to scientific and technical notions of his time, primarily within analogies and symbolic images. Assuming that understanding these symbolic elements requires an examination of the terminology and concepts that inspired them across scientific and broader cultural contexts, this article analyses one passage to gain insights into early imperial zoology, ink usage, colour classification, and metallurgical terminology. After introducing selected medical, zoological, and metallurgical references within the dialogue, the article focuses on a symbolic sentence describing “ill-will” and “envy” as a “rusty” (or “poisonous” or “violet-like,” <styled-content lang=\"el-Grek\" xmlns:dc=\"http://purl.org/dc/elements/1.1/\" xmlns:ifp=\"http://www.ifactory.com/press\">ἰώδης</styled-content>) and “suppurated” (or “hidden” or “treacherous,” <styled-content lang=\"el-Grek\" xmlns:dc=\"http://purl.org/dc/elements/1.1/\" xmlns:ifp=\"http://www.ifactory.com/press\">ὕπουλος</styled-content>) fluid emitted by envious souls, compared to the manner in which “cuttlefish” (<styled-content lang=\"el-Grek\" xmlns:dc=\"http://purl.org/dc/elements/1.1/\" xmlns:ifp=\"http://www.ifactory.com/press\">σηπίαι)</styled-content> emit their ink. While clarifying the meaning and chromatic implications of this image, the article explores zoological knowledge of cuttlefish, ancient sources on cephalopod ink usage, and documented associations of these inks with the colours and corrosions of bronze and iron. Personal observations of the natural colours of three cephalopod inks are also presented alongside those of corroded copper and iron powders.</p>","PeriodicalId":49081,"journal":{"name":"Early Science and Medicine","volume":"19 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2025-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Science and Medicine","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1163/15733823-20251336","RegionNum":2,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY & PHILOSOPHY OF SCIENCE","Score":null,"Total":0}
引用次数: 0
Abstract
The theological and eschatological dialogue De sera numinis vindicta (“On the Slowness of the Divinity to Punish”) by Plutarch of Chaeronea (first–second century CE) contains precise references to scientific and technical notions of his time, primarily within analogies and symbolic images. Assuming that understanding these symbolic elements requires an examination of the terminology and concepts that inspired them across scientific and broader cultural contexts, this article analyses one passage to gain insights into early imperial zoology, ink usage, colour classification, and metallurgical terminology. After introducing selected medical, zoological, and metallurgical references within the dialogue, the article focuses on a symbolic sentence describing “ill-will” and “envy” as a “rusty” (or “poisonous” or “violet-like,” ἰώδης) and “suppurated” (or “hidden” or “treacherous,” ὕπουλος) fluid emitted by envious souls, compared to the manner in which “cuttlefish” (σηπίαι) emit their ink. While clarifying the meaning and chromatic implications of this image, the article explores zoological knowledge of cuttlefish, ancient sources on cephalopod ink usage, and documented associations of these inks with the colours and corrosions of bronze and iron. Personal observations of the natural colours of three cephalopod inks are also presented alongside those of corroded copper and iron powders.
期刊介绍:
Early Science and Medicine (ESM) is a peer-reviewed international journal dedicated to the history of science, medicine and technology from the earliest times through to the end of the eighteenth century. The need to treat in a single journal all aspects of scientific activity and thought to the eighteenth century is due to two factors: to the continued importance of ancient sources throughout the Middle Ages and the early modern period, and to the comparably low degree of specialization and the high degree of disciplinary interdependence characterizing the period before the professionalization of science.