{"title":"Kapaemahu: Toward Story Sovereignty of a Hawaiian Tradition of Healing and Gender Diversity","authors":"D. Hamer, Hinaleimoana Wong-Kalu","doi":"10.1353/cp.2022.0046","DOIUrl":null,"url":null,"abstract":"Abstract:On Waikīkī Beach stand four large stones known as Kapaemahu (the row of mahu), which according to a traditional moolelo carry the living spirits of four individuals of dual male and female spirit who brought healing arts from Tahiti to Hawai'i. Although the stones have survived for centuries, they have often been mistreated, and their story has been altered to suppress the respected role of mahu. In this paper, we examine the history of the stones and their moolelo in the context of concurrent social, political, religious, and cultural developments in Hawai'i, including modern controversies over gender and sexuality. We also describe our own attempt to convey and transmit the moolelo of Kapaemahu through an animated film narrated in Olelo Ni'ihau. This type of multifactorial cultural and historical analysis is important for understanding the beliefs and values expressed by traditional moolelo, and it helps guide their future transmission and dissemination in a manner that reflects the concept of ea o moolelo, or story sovereignty: the intrinsic right of a story to its own unique contents, style, and purpose.","PeriodicalId":51783,"journal":{"name":"Contemporary Pacific","volume":"34 1","pages":"255 - 291"},"PeriodicalIF":0.3000,"publicationDate":"2023-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Pacific","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1353/cp.2022.0046","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:On Waikīkī Beach stand four large stones known as Kapaemahu (the row of mahu), which according to a traditional moolelo carry the living spirits of four individuals of dual male and female spirit who brought healing arts from Tahiti to Hawai'i. Although the stones have survived for centuries, they have often been mistreated, and their story has been altered to suppress the respected role of mahu. In this paper, we examine the history of the stones and their moolelo in the context of concurrent social, political, religious, and cultural developments in Hawai'i, including modern controversies over gender and sexuality. We also describe our own attempt to convey and transmit the moolelo of Kapaemahu through an animated film narrated in Olelo Ni'ihau. This type of multifactorial cultural and historical analysis is important for understanding the beliefs and values expressed by traditional moolelo, and it helps guide their future transmission and dissemination in a manner that reflects the concept of ea o moolelo, or story sovereignty: the intrinsic right of a story to its own unique contents, style, and purpose.
摘要:在Waikīkī海滩上矗立着四块被称为Kapaemahu(一排mahu)的大石头,根据传统的moolelo,这四块石头承载着四个男性和女性双重精神个体的生活精神,他们将治疗艺术从大溪地带到了夏威夷。尽管这些石头已经保存了几个世纪,但它们经常受到虐待,它们的故事也被篡改,以压制受人尊敬的马胡角色。在这篇论文中,我们在夏威夷同时发生的社会、政治、宗教和文化发展的背景下,包括关于性别和性的现代争议,研究了这些石头及其moolelo的历史。我们还描述了我们自己试图通过一部用Olelo Ni'ihau讲述的动画电影来传达和传递Kapaemahu的moolelo。这种类型的多因素文化和历史分析对于理解传统moolelo所表达的信仰和价值观很重要,它有助于指导它们未来的传播和传播,以反映ea o moolelo或故事主权的概念:故事对其独特内容、风格和目的的内在权利。
期刊介绍:
With editorial offices at the Center for Pacific Islands Studies, The Contemporary Pacific covers a wide range of disciplines with the aim of providing comprehensive coverage of contemporary developments in the entire Pacific Islands region, including Melanesia, Micronesia, and Polynesia. It features refereed, readable articles that examine social, economic, political, ecological, and cultural topics, along with political reviews, book and media reviews, resource reviews, and a dialogue section with interviews and short essays. Each issue highlights the work of a Pacific Islander artist.