{"title":"História pública e cultura histórica na produção audiovisual contemporânea","authors":"Josias José Freire Júnior","doi":"10.26512/EMTEMPOS.V1I37.34152","DOIUrl":null,"url":null,"abstract":"The scientific rationality of the history is guaranteed in its production, in historiography, through methodological rules of the research stages. However, history is not able to control the social circulation of this knowledge, beyond its scope, although the question of the presentation of history is also one of its problems. Undoubtedly one of the most important forms of dissemination that is not strictly historiographical in history is audiovisual, whether in the cinema or other media. In this context, reflections are presented in this article in order to problematize the meanings of audiovisual narratives broadcast by the television series \"Guia Politicamente Incorreto\" (2017), as a defendant in the themes of public history, conscience and historical culture. The article now presented is the result of a research that aimed to discuss historical meanings of audiovisual production, based on public history and the didactics of history, in the television series analyzed.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Em Tempo de Historias","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26512/EMTEMPOS.V1I37.34152","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The scientific rationality of the history is guaranteed in its production, in historiography, through methodological rules of the research stages. However, history is not able to control the social circulation of this knowledge, beyond its scope, although the question of the presentation of history is also one of its problems. Undoubtedly one of the most important forms of dissemination that is not strictly historiographical in history is audiovisual, whether in the cinema or other media. In this context, reflections are presented in this article in order to problematize the meanings of audiovisual narratives broadcast by the television series "Guia Politicamente Incorreto" (2017), as a defendant in the themes of public history, conscience and historical culture. The article now presented is the result of a research that aimed to discuss historical meanings of audiovisual production, based on public history and the didactics of history, in the television series analyzed.