Ethno-cultural basis of the process of formation of the Crimean Tatar artistic culture and decorative art (part three)

Ismet A. Zaatov
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Abstract

In the article an attempt is made to trace the stages of development of the process of the Kypchak-Tatar – Turko-Seljuk Turkization and the beginning of the process of Asia Minor–Central Asian Islamization of the population of the peninsula and formation of artistic culture and decorative art of the Crimean Tatars during the formation of the foundations of the Crimean Tatar statehood in the Black Sea uluses of the Golden Horde.
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克里米亚鞑靼艺术文化与装饰艺术形成过程的民族文化基础(三)
本文试图追溯在金汗国黑海地区形成克里米亚鞑靼国家基础的过程中,kypchak -鞑靼-突厥-塞尔柱突厥化过程的发展阶段和半岛人口的小亚细亚-中亚伊斯兰化过程的开始以及克里米亚鞑靼人的艺术文化和装饰艺术的形成。
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期刊最新文献
Tatar poet Sagit Suncheley and Crimea in the early 1920s Ethno-cultural basis of the process of formation of the Crimean Tatar artistic culture and decorative art (part three) Musical instruments of the Crimean Tatars in the collection of the Bakhchisarai Museum-Reserve Republican Crimean Tatar Museum of Art: the expe­rience of creation (from the first person) Rehabilitation of the Crimean Khanate by Historians in a five-volumes book about the Crimean Tatars
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