Pink Floyd ”“ The Wall

Franco Santos Alves da Silva
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Abstract

Pink Floyd The Wall is a British film released in 1982. Directed by Alan Parker, with script by bassist Roger Waters and animations by Gerald Scarfe. The feature film is based on the conceptual disc The Wall (1979), It is a dystopic narrative with surrealist features. Whose script is about the journey of Pink, a rock star who has to deal with several metaphorical and real walls that life has imposed on him: one present full of loneliness, drugs and a turbulent marriage.  The past marked by an overprotective mother, a father killed in the war and an oppressive school. The article makes a theoretical approach between historiography, such as Marc Ferro, Rafael Hagemeyer and Michele Lagny and cinema, especially cinematographic language and animation, such as David Bordewell, Kristin Thompson, Jacques Autont, Michel Marie, Eduardo Penuela Canizal, Maria Prammaggiore and Tom Wallis.
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平克·弗洛伊德的《墙》
《平克·弗洛伊德墙》是一部上映于1982年的英国电影。导演艾伦·帕克,剧本由贝斯手罗杰·沃特斯,动画由杰拉德·斯卡夫。这部故事片是根据1979年的概念电影《墙》改编的,它是一个带有超现实主义特征的反乌托邦叙事。他的剧本是关于摇滚明星Pink的旅程,他必须应对生活强加给他的几堵隐喻性和现实性的墙:一个充满孤独、毒品和动荡婚姻的当下。她的过去有一个过度保护的母亲,一个死于战争的父亲和一个压迫性的学校。本文将Marc Ferro、Rafael Hagemeyer、Michele Lagny等史学与David Bordewell、Kristin Thompson、Jacques Autont、Michel Marie、Eduardo Penuela Canizal、Maria Prammaggiore、Tom Wallis等电影,特别是电影语言和动画进行理论探讨。
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12 weeks
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