"Merda d’artista" di Piero Manzoni. Letture psicoanalitiche ed effetti collaterali

Pasquale Fameli
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引用次数: 0

Abstract

This paper focuses on the critical analysis of Merda d’artista  (1961) by Piero Manzoni, underlining the problematic nature of psychoanalytic interpretations proposed by Nancy Spector, Jean-Pierre Criqui, Gerard Silk and others related to Freudian theories. Starting from the philosophical interests of the artist and his theoretical declarations, it proposes a reinterpretation of the famous Manzoni’s work in the perspective of that bond to the social and experiential dynamics that will characterize most of the conceptual researches of the late Sixties.
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皮耶罗·曼佐尼的《艺术家的大便》精神分析读数和副作用
本文着重于皮耶罗·曼佐尼(Piero Manzoni)对Merda d 'artista(1961)的批判性分析,强调南希·斯佩克特(Nancy Spector)、让-皮埃尔·克里基(Jean-Pierre Criqui)、杰拉德·西尔克(Gerard Silk)和其他与弗洛伊德理论相关的人提出的精神分析解释的问题本质。从艺术家的哲学兴趣和他的理论宣言开始,它提出了对著名的曼佐尼作品的重新解释,从社会和经验动态的角度来看,这将是60年代后期大多数概念研究的特征。
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1
审稿时长
10 weeks
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