Iconomy, Iconoclash ≠ Iconomics

Q3 Arts and Humanities Nordic Journal of Aesthetics Pub Date : 2021-07-02 DOI:10.7146/nja.v30i61-62.127897
T. Smith
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引用次数: 0

Abstract

Jean-Paul Sartre’s remark, made in his The Imagination (1936), is used as a prefatory quotation by W.J.T. Mitchell in Iconology: Image, Text, Ideology (1986), his classic study of the nature of images and the differences between images and words.1 Like everything else that Mitchell (and Sartre) says about these topics, this gesture is immediately relevant to the issues raised by the questionnaire. Indeed, the first two sentences of the questionnaire set up a relationship between images and imagery, or single images and the overall image flow, that is indeed “traditional,” in fact, ancient, as a presumption, one that is so instinctive to thinking about images that it is almost everywhere taken as fundamental. It is also, as Sartre suggests, problematical.
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Iconomy、Iconoclash≠Iconomics
让-保罗·萨特在《想象》(1936)中的这句话,被W.J.T.米切尔在《图像学:图像,文本,意识形态》(1986)中用作引言,这是他对图像本质以及图像与文字之间差异的经典研究就像米切尔(和萨特)关于这些话题所说的其他一切一样,这个手势与问卷所提出的问题直接相关。的确,问卷的前两句话建立了图像与意象之间的关系,或者单个图像与整体图像流之间的关系,这确实是“传统的”,实际上是古老的,作为一种假设,一种对图像的本能思考,几乎无处不在,它被视为基本。正如萨特所言,这也是有问题的。
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来源期刊
Nordic Journal of Aesthetics
Nordic Journal of Aesthetics Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
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0.00%
发文量
21
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