Your Tongue Here (Or Not): On Imagining Whether To Take a Bite (Or Not)

Q3 Arts and Humanities Nordic Journal of Aesthetics Pub Date : 2023-08-24 DOI:10.7146/nja.v32i65.140201
Sue Spaid
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Abstract

Inspired by recent visits to the Disgusting Food Museum (DFM) in Mälmo, SE and “FOOD: Bigger than Your Plate” (2019) at the Victoria & Albert in London, UK, this article explores the saliency of “disgust” given its role in the “attention economy,” hipster allure and emotional encoding. Initially appalled by the DFM’s demonizing national delicacies as disgusting, the author soon realised that doing so has a “silver lining” in terms of attention. One aspect that remains under-explored is the connection between imagination and attention. The relationship between taste and disgust grants us a vehicle for working this out, since human beings are wired for disgust, yet what disgusts is learnt. Unlike basic emotions for which we have salience and/or memories, we deploy our imagination to anticipate disgust. To defeat disgust’s alarmist ploys, “food adventurers” must block their imagination. “Disgusting food” not only grabs people’s attention, but it tends to deceive.
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你的舌头在这里(或不在):想象是否要咬一口(或不咬一口)
受最近参观位于东南部Mälmo的恶心食物博物馆(DFM)和英国伦敦维多利亚和阿尔伯特博物馆(Victoria & Albert)的“食物:比你的盘子大”(2019)的启发,本文探讨了“厌恶”在“注意力经济”、潮人诱惑和情感编码中的重要性。起初,作者对DFM将民族美食妖魔化为令人作呕的做法感到震惊,但很快意识到,这样做在引起关注方面有“一线希望”。想象力和注意力之间的联系仍未得到充分的研究。味觉和厌恶之间的关系为我们提供了一个解决这个问题的工具,因为人类天生厌恶,但厌恶是后天习得的。与我们有显著性和/或记忆的基本情绪不同,我们运用想象力来预测厌恶。为了挫败厌恶的危言耸听的伎俩,“食物冒险家”必须阻止他们的想象力。“恶心的食物”不仅能吸引人们的注意力,而且具有欺骗性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Nordic Journal of Aesthetics
Nordic Journal of Aesthetics Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
21
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