Whiplash, Buddy Rich, and Visual Virtuosity in Drum Kit Performance

IF 0.5 2区 艺术学 0 MUSIC Twentieth-Century Music Pub Date : 2022-06-01 DOI:10.1017/S1478572221000268
Jonathan Godsall
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引用次数: 0

Abstract

Abstract The 2014 film Whiplash depicts successful jazz drumming as an athletic exhibition of speed and endurance, in a manner that reflects its protagonist's idolization of Buddy Rich (1917–87). The crowd-pleasing virtuosity of Rich and Whiplash has drawn critics’ ire, but this article interrogates the ideas of musical authenticity that underpin their complaints, and offers a more productive analysis of the film's drum kit performances and their inspiration, informed by a range of jazz, film, and performance scholarship. Specific attention is drawn to the performances’ visual attractions. Whiplash's fast editing style and shots of exertion – grimacing, sweat, blood – give non-expert viewers a sense of drumming's physical and mental demands, and much the same is true of Rich's exaggerated movements and expressions, whether seen live or (as is commonly the case) amplified by a screen's mediation.
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鞭子,巴迪·里奇,和视觉精湛的鼓包性能
2014年的电影《爆裂鼓手》(Whiplash)将成功的爵士击鼓描绘成一种速度和耐力的运动展示,以一种反映主人公对Buddy Rich(1917-87)的崇拜的方式。《Rich and Whiplash》的精湛技艺吸引了评论家的愤怒,但本文质疑了支撑他们抱怨的音乐真实性的想法,并提供了一个更有成效的分析,通过一系列爵士乐,电影和表演奖学金来了解电影的鼓组表演和他们的灵感。特别注意的是表演的视觉吸引力。《爆裂鼓手》的快速剪辑风格和用力的镜头——鬼脸、汗水、鲜血——让非专业观众感受到打鼓的身体和精神需求,里奇夸张的动作和表情也同样如此,无论是现场观看还是(通常情况下)被屏幕放大。
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