Performing emotions through technology: towards a degree of agency tool (DoAT) for assessing and applying agency to operated performing objects

Abstract

Performers are exposed to embodied characterization techniques embedded within their training that makes the transference of these concepts comfortable to integrate into external performance modes such as puppetry. So too do performing objects require a nuanced approach towards their performances being equated to characters’ expressions. However, technicians are expected to programme such mechanical performing objects with equivalent anthropomorphised agency, often without insight into embodied characterization. This paper explores the development and early validation of a pragmatic tool to assess and apply agency to performing objects. The degree of agency tool employs Affect theory to understand the process of anthropomorphisation. The degree of agency tool is designed to measure the degree of agency expressed by an operated performing object to avoid soulless mechanical performance. We argue that the tool includes an exploration of affect, emotion, anthropomorphisation, and non-verbal communication. As an outcome, the design research process reveals that these topics form the groundwork for the development of the degree of agency tool.