{"title":"Kalaupapa Place Names: Waikolu to Nihoa by John R K Clark (review)","authors":"Charles M. Langlas","doi":"10.1353/cp.2022.0057","DOIUrl":null,"url":null,"abstract":"each year, giving us a glimpse into the capacity of labor and love for the land. As the film moves from one mo‘olelo to another, it honors the kūpuna and ‘ohana (families) of these places and the place-based knowledge that has accumulated over time and lives on through successive generations. Restoring loko i‘a is a connection to the past, linking Kānaka Maoli physically, mentally, and spiritually with kūpuna when they visit these spaces. The film also frames loko i‘a practices within education and academia, giving viewers a sense of how valuable these systems and ‘ike kūpuna (ancestral knowledge) are to elevating current and future generations. Through understanding the functions within a loko i‘a, we begin to understand the importance of kilo (keen observation) of our environment and our relationship with it. Indigenous kūpuna were biologists, ecologists, architects, historians, natural resource managers, and much more than what Western society knows today, as practicing kilo was essential to their daily lifestyle and a foundation for sustaining their connection with ‘āina and those around them. The concept of loko i‘a embodies a space of productivity, as it is a reflection of the mauka (upland) and makai (oceanside) systems and the delicate balance that must be maintained between them. That is why restoring wai (fresh water) from upland streams and groundwater springs is so important to the functioning of loko i‘a, as well as managing the health of ocean fisheries. As a Native Hawaiian and an academic graduate student researcher who has had the privilege to work with loko i‘a restoration efforts and conduct projects in such places, this film is a great reminder of my role in our collective kuleana to care for and perpetuate ‘ike kūpuna. As Aunty Kehaulani Lum, a kia‘i at Pā‘aiau loko i‘a, graciously shared during a panel discussion on the film hosted by Historic Hawai‘i Foundation on 27 October 2021: “‘Āina is our textbook, and the biggest tool is our heart.” Kai Piha: Nā Loko I‘a is a testament to Native Hawaiian resilience and the knowledge that exists within us, which we pass down over generations.","PeriodicalId":51783,"journal":{"name":"Contemporary Pacific","volume":"34 1","pages":"506 - 509"},"PeriodicalIF":0.3000,"publicationDate":"2023-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Pacific","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1353/cp.2022.0057","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
each year, giving us a glimpse into the capacity of labor and love for the land. As the film moves from one mo‘olelo to another, it honors the kūpuna and ‘ohana (families) of these places and the place-based knowledge that has accumulated over time and lives on through successive generations. Restoring loko i‘a is a connection to the past, linking Kānaka Maoli physically, mentally, and spiritually with kūpuna when they visit these spaces. The film also frames loko i‘a practices within education and academia, giving viewers a sense of how valuable these systems and ‘ike kūpuna (ancestral knowledge) are to elevating current and future generations. Through understanding the functions within a loko i‘a, we begin to understand the importance of kilo (keen observation) of our environment and our relationship with it. Indigenous kūpuna were biologists, ecologists, architects, historians, natural resource managers, and much more than what Western society knows today, as practicing kilo was essential to their daily lifestyle and a foundation for sustaining their connection with ‘āina and those around them. The concept of loko i‘a embodies a space of productivity, as it is a reflection of the mauka (upland) and makai (oceanside) systems and the delicate balance that must be maintained between them. That is why restoring wai (fresh water) from upland streams and groundwater springs is so important to the functioning of loko i‘a, as well as managing the health of ocean fisheries. As a Native Hawaiian and an academic graduate student researcher who has had the privilege to work with loko i‘a restoration efforts and conduct projects in such places, this film is a great reminder of my role in our collective kuleana to care for and perpetuate ‘ike kūpuna. As Aunty Kehaulani Lum, a kia‘i at Pā‘aiau loko i‘a, graciously shared during a panel discussion on the film hosted by Historic Hawai‘i Foundation on 27 October 2021: “‘Āina is our textbook, and the biggest tool is our heart.” Kai Piha: Nā Loko I‘a is a testament to Native Hawaiian resilience and the knowledge that exists within us, which we pass down over generations.
每一年,都让我们看到他们的劳动能力和对土地的热爱。随着影片从一个mo ' olelo转到另一个mo ' olelo,它向这些地方的kūpuna和' ohana(家庭)致敬,以及随着时间的推移而积累并代代相传的基于地方的知识。恢复loko i 'a是一种与过去的联系,当他们访问这些空间时,将Kānaka毛利人的身体,精神和精神与kūpuna联系起来。影片还勾勒了教育和学术界的loko i ' a实践,让观众感受到这些系统以及kūpuna(祖先的知识)对于提升当代人和后代的价值。通过了解loko i 'a的功能,我们开始了解对环境的敏锐观察以及我们与环境的关系的重要性。原住民kūpuna是生物学家、生态学家、建筑师、历史学家、自然资源管理者,远比今天西方社会所知道的更多,因为练习kilo是他们日常生活方式的必要组成部分,也是维持他们与āina和周围人联系的基础。loko i 'a的概念体现了一个生产力空间,因为它反映了mauka(高地)和makai(海边)系统,以及它们之间必须保持的微妙平衡。这就是为什么从高地溪流和地下水泉中恢复淡水对loko i 'a的功能以及管理海洋渔业的健康如此重要。作为一名夏威夷原住民和一名学术研究生研究员,我有幸参与了loko i ' a的修复工作,并在这些地方开展了项目,这部电影很好地提醒了我在我们的集体kuleana中所扮演的角色,即关心和延续kūpuna。正如pha ' aiau loko i ' a的基亚伊人Kehaulani Lum阿姨在2021年10月27日由夏威夷历史基金会主办的关于这部电影的小组讨论中慷慨地分享的那样:“Āina是我们的教科书,最大的工具是我们的心。”Kai Piha: Nā Loko I 'a是夏威夷原住民的韧性和知识的证明,这些知识存在于我们身上,我们代代相传。
期刊介绍:
With editorial offices at the Center for Pacific Islands Studies, The Contemporary Pacific covers a wide range of disciplines with the aim of providing comprehensive coverage of contemporary developments in the entire Pacific Islands region, including Melanesia, Micronesia, and Polynesia. It features refereed, readable articles that examine social, economic, political, ecological, and cultural topics, along with political reviews, book and media reviews, resource reviews, and a dialogue section with interviews and short essays. Each issue highlights the work of a Pacific Islander artist.