Ekofeminsime dalam Film Nona Kedi yang Tak Pernah Melihat Keajaiban (2013)

Farobi Fatkhurridho, S. Rusdiarti
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Abstract

The exploitation of nature and discrimination against women have similarities in unequal power relations. From an anthropocentric point of view, the exploitation of nature has relevance to the issue of feminism. It refers to the terminology of dualism hierarchy in the realm of ecofeminism. Nature and women occupy the same position, namely as objects of the oppressed. In this case, regime, capitalism, and masculinity become the dominant force that has a position as the oppressor. A Lady Caddy Who Never Saw a Hole in One (2013) is a short film that presents a form of perpetuating the issue of dualism hierarchy. The result from this research shows how a lady caddy figure becomes a symbol of the product and represents the exploitation of nature in the eviction of land for golf and luxury hotels. The patterns and symbols presented through the narrative structure and cinematographic aspects depict the relationship between capitalism, regimes, women, and nature which refer to the perpetuation of dualism hierarchy.
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凯迪小姐从未见过奇迹的电影《回声》中的生态细节(2013)
对自然的剥削和对妇女的歧视在不平等的权力关系中有相似之处。从人类中心主义的观点来看,对自然的剥削与女权主义问题有关。它指的是生态女性主义领域中的二元论等级论术语。自然和妇女处于同一地位,即被压迫者的对象。在这种情况下,政权、资本主义和男子气概成为具有压迫者地位的主导力量。《从未见过一杆进洞的女球童》(2013)是一部短片,它呈现了一种延续二元论等级问题的形式。这项研究的结果表明,一个女球童的形象如何成为产品的象征,并代表了在高尔夫和豪华酒店的土地拆迁中对自然的剥削。通过叙事结构和电影方面呈现的模式和符号描绘了资本主义、政权、女性和自然之间的关系,这是二元等级制度的延续。
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