Critique of the Power of Prophecy

Q3 Arts and Humanities Nordic Journal of Aesthetics Pub Date : 2023-08-17 DOI:10.7146/nja.v32i65-66.140116
A. Enström
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Abstract

During the winter of 2022/23 the wave of protests in the public and private sectors in Britain intensified: Workers across the NHS, Royal Mail, civil service, and the transport network were already on strike in the ongoing row over conditions and pay, the London Underground had ratified a directive for an additional half a year of industrial action, whereas teachers, firefighters, and junior doctors were scheduled to vote on taking action. Regardless of how the conflict’s impact on the rights and welfare of the British workers will play out, the labor strike is a salient example of the (im)possibility of society’s alteration. On the one hand, it represents the legitimization of the wage-labor system; by aiming for improved conditions within the governing economic order, it also works as its reinforcement. From this perspective, industrial action on the labor market simply displays our lost capacity to imagine radically other futures. On the other hand, a critical understanding of this loss can itself have a powerful effect on our capacity to imagine another future. It is also from such a standpoint that the wide-ranging acts of solidarity we saw on the streets of London and in other cities come to symbolize precisely that collective action to—on the level of experience—pursue an alternative to what late philosopher Mark Fisher termed “capitalist realism”. A strategy that instead of seeking to overcome capital, focuses “on what capital must always obstruct: the collective capacity to produce, care and enjoy.”1 For Fisher, the practice of collective imagination can incite thoughts of a different world and strike action, among other forms, can be understood as the materialization of such practice. Prophetic Culture, by London based Italian philosopher and former anarchist gone theologian Federico Campagna (1984), performatively places itself at this very hinge moment of pressure and confusion where the demanding ecological, political, spiritual and psychic conditions calls for new narratives of worlding. At a
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预言力量批判
2022/23年冬季,英国公共和私营部门的抗议浪潮加剧:英国国家医疗服务体系(NHS)、皇家邮政(Royal Mail)、公务员和交通网络的工人已经在持续的一路领先条件和薪酬的争论中罢工,伦敦地铁批准了一项额外半年工业行动的指令,初级医生计划就采取行动进行投票。不管这场冲突对英国工人权利和福利的影响如何,劳工罢工都是社会变革可能性的一个突出例子。一方面,它代表着雇佣劳动制度的合法化;通过改善统治经济秩序的条件,它也起到了加强作用。从这个角度来看,劳动力市场上的劳工行动只是显示了我们失去了从根本上想象其他未来的能力。另一方面,对这种损失的批判性理解本身就会对我们想象另一个未来的能力产生强大的影响。也正是从这样的角度来看,我们在伦敦和其他城市的街道上看到的广泛的团结行动,恰恰象征着集体行动——在经验层面上——追求已故哲学家马克·费舍尔所说的“资本主义现实主义”的替代方案。一种策略不是寻求克服资本,而是关注“资本必须始终阻碍的东西:生产、关心和享受的集体能力。”1对费舍尔来说,集体想象的实践可以激发对不同世界的思考,罢工行动等形式可以被理解为这种实践的物化。伦敦意大利哲学家、前无政府主义神学家费德里科·坎帕尼亚(Federico Campagna,1984)的《预言文化》(Prophetic Culture)将自己置于压力和困惑的关键时刻,在这个时刻,苛刻的生态、政治、精神和心理条件需要新的世界叙事。在
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来源期刊
Nordic Journal of Aesthetics
Nordic Journal of Aesthetics Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
21
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