Schizophrenic Border and Viral Optics in Raymond Williams's Border Country

Jiayan Mi, Jason Toncic
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引用次数: 0

Abstract

This essay examines Raymond Williams’s autobiographical novel Border Country, the first novel of his ambitious “Welsh Trilogy.” The aim of the essay is twofold. Firstly, it analyzes the unsettling issue of how a bio-regional place (native place) shapes polyvalent identities in a historically changing environment and how the boundary that crisscrosses the passages of life is redrawn through narrative re-circumscription and optical revision. Secondly, the essay calls this trope of internalizing “border-crossing” into question in the context of global diaspora and critically problematizes Williams’s identity politics as schizophrenic split from British post-colonial empire.
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Raymond Williams边境国家的精神分裂症边界与病毒光学
本文考察了雷蒙德·威廉姆斯的自传体小说《边境国家》,这是他雄心勃勃的“威尔士三部曲”的第一部小说。这篇文章的目的是双重的。首先,它分析了一个令人不安的问题,即一个生物区域(出生地)如何在一个历史变化的环境中塑造多价身份,以及如何通过叙事重新界定和光学修正来重新绘制交叉的生命通道的边界。其次,本文在全球散居的背景下对这种内化“跨越边界”的比喻提出了质疑,并批判性地质疑威廉姆斯的身份政治是英国后殖民帝国分裂的精神分裂症。
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