{"title":"Imagining Polynesia","authors":"S. Hamilton, Hetereki Huke, Mike Seager Thomas","doi":"10.1558/jca.43378","DOIUrl":null,"url":null,"abstract":"Rapa Nui’s prehistoric Polynesian heritage is iconic. From the later twentieth century the island’s economy has been dependent on the tourism its prehistory attracts. However, until recently there has been little link between the modern built environment of Rapa Nui and its prehistoric past. This article tracks how during the late nineteenth and twentieth centuries, the island’s traditional domestic architecture was supplanted first by colonial then early modern Chilean architecture. The remains of this transformation are fast disappearing through contemporary demolition and an associated rejection of the past that the introduced architecture represents. We highlight how contemporary Rapa Nui architecture instead actively references its iconic prehistoric Polynesian past and positions Rapa Nui in a Polynesian context, for the first time detailing this trajectory and identifying how elements of past artistic and architectural traditions have become incorporated into the architecture of the present. Instead of presenting the intervening period as one of loss of traditional identity, this in fact emphasises a subtle continuity of Rapanui (indigenous Rapa Nui islander) identity. The study is relevant to exploring how the interacting demands and expectations of identity politics and heritage tourism (here in a Polynesian context) can impact on contemporary local architecture and the visitor milieu, reflecting modern concepts which promote the preservation of some architectures and cultural attributes over others.","PeriodicalId":54020,"journal":{"name":"Journal of Contemporary Archaeology","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2021-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Archaeology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jca.43378","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
Rapa Nui’s prehistoric Polynesian heritage is iconic. From the later twentieth century the island’s economy has been dependent on the tourism its prehistory attracts. However, until recently there has been little link between the modern built environment of Rapa Nui and its prehistoric past. This article tracks how during the late nineteenth and twentieth centuries, the island’s traditional domestic architecture was supplanted first by colonial then early modern Chilean architecture. The remains of this transformation are fast disappearing through contemporary demolition and an associated rejection of the past that the introduced architecture represents. We highlight how contemporary Rapa Nui architecture instead actively references its iconic prehistoric Polynesian past and positions Rapa Nui in a Polynesian context, for the first time detailing this trajectory and identifying how elements of past artistic and architectural traditions have become incorporated into the architecture of the present. Instead of presenting the intervening period as one of loss of traditional identity, this in fact emphasises a subtle continuity of Rapanui (indigenous Rapa Nui islander) identity. The study is relevant to exploring how the interacting demands and expectations of identity politics and heritage tourism (here in a Polynesian context) can impact on contemporary local architecture and the visitor milieu, reflecting modern concepts which promote the preservation of some architectures and cultural attributes over others.
期刊介绍:
The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.