Textual Microfields WINTER and MAN in Short Stories by Soviet Writer Yuri Shamshurin

O. Melnichuk
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Abstract

The research addresses to the anthropocentric aspect of a literary text and mental representations of the Arctics in the author's image of the world. The relevance of this study is defined by the demand for humanitarian knowledge and culture of the inhabitants of the Arctic regions in connection with the technological development of the Arctics. The goal of this article is to design a model of textual associative semantic micro-fields WINTER and MAN in the Arctic discourse of Soviet-era author Yuri Shamshurin and identify the points where these micro-fields meet or cross each other. The study is focused on those lexical items which participate in building the secodary reality in Shamshurin’s short stories. The novelty of the study lies in applying congnitive-discursive approach to the study of the Arctic fictional discourse. The key methods of analysis used in this study are field analysis, lexical-and-semantic analysis, contextual analysis and cognitive interpretation method. As a result of the study, the nuclear lexical-and-thematic groups of the microfields MAN and WINTER were identified, such as CRAFT and WIND, as well as the intersection points of lexical-and-thematic groups for both microfields. The main attributes of winter identified in the mental representation of the Arctic discourse in Shamshurin’s short stories are wind and cold, being the phenomena which a man encounters first and foremost during his daily activities. The northern lights, which have no intersections with the microfield MAN but represent a unique natural phenomenon, are also one of the main attributes. In addition, it has been revealed that when lexical-and-thematic groups intersect their boundaries become mobile, which can lead to the creation of a new lexical-and-thematic subgroup within the microfield. An issue has been revealed that is connected with defining the lexical-andthematic groups containing lexical items that perform an artistic function in a particular story, such as a plot-forming or symbolic function. In this case, they are not representative of their group in a given microfield.
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苏联作家尤里·沙姆舒林短篇小说中的文本微场:冬天和男人
这项研究涉及文学文本中以人类为中心的方面,以及作者世界形象中Arctics的心理表征。这项研究的相关性是由北极地区居民对人道主义知识和文化的需求与北极地区的技术发展相联系来确定的。本文的目的是设计苏联时代作家尤里·沙姆舒林北极话语中的文本联想语义微观场WINTER和MAN的模型,并确定这些微观场相互交汇或交叉的点。本研究的重点是沙姆舒林短篇小说中那些参与建构隐秘现实的词汇项目。本研究的新颖之处在于将认知话语方法应用于北极小说话语的研究。本研究采用的主要分析方法是场域分析法、词汇语义分析法、语境分析法和认知解释法。作为研究的结果,确定了微观领域MAN和WINTER的核心词汇和主题组,如CRAFT和WIND,以及这两个微观领域的词汇组和主题组的交叉点。Shamshurin短篇小说中北极话语的心理表征中确定的冬天的主要特征是风和冷,这是一个人在日常活动中首先遇到的现象。北极光与微场MAN没有交叉点,但代表了一种独特的自然现象,也是其主要特征之一。此外,研究表明,当词汇组和主题组相交时,它们的边界会变得流动,这可能导致在微观领域内创建一个新的词汇和主题子群。已经揭示了一个问题,该问题与定义包含在特定故事中发挥艺术功能的词汇项目的词汇和词汇组有关,例如情节形成或象征功能。在这种情况下,他们在特定的微观领域中并不代表他们的群体。
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来源期刊
RUDN Journal of Language Studies, Semiotics and Semantics
RUDN Journal of Language Studies, Semiotics and Semantics Arts and Humanities-Language and Linguistics
CiteScore
1.20
自引率
0.00%
发文量
54
审稿时长
16 weeks
期刊最新文献
Re-thinking Semiotics: a New Categorization of a Sign? Factors of the Dynamics of Language Situations in the Regions of Russia on the example of the Arkhangelsk Region, the Perm Region and the Udmurt Republic Emotions in the Mental and Linguistic Space of Lyric Poems Specifics of Lexical and Grammatical Rules in the Chinese Language Textual Microfields WINTER and MAN in Short Stories by Soviet Writer Yuri Shamshurin
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