{"title":"The Monumental Qur’āns of Sultan Shaʿbān","authors":"Adeline Laclau","doi":"10.1163/1878464x-01401001","DOIUrl":null,"url":null,"abstract":"\n This article focuses on the seven monumental Qur’āns made during the reign of Sultan al-Ashraf Shaʿbān II (r. 1363–1378), considered to be the masterpieces of the Mamluk arts of the book. These are MSS Cairo, Dār al-Kutub al-Miṣriyya Raṣīd 6, 7, 8, 9, 10, 15, and 54. The aim of this study is to deepen our knowledge of the manufacturing system and the context of production of these manuscripts through the examination of paper formats, writing, and illuminations. This analysis allows us to locate these Qur’āns in the overall context of fourteenth-century manuscripts production, but also to reconsider the place of the two illumination workshops involved in their ornamentation, as well as their relationship with Sultan Shaʿbān and his entourage.","PeriodicalId":40893,"journal":{"name":"Journal of Islamic Manuscripts","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Islamic Manuscripts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/1878464x-01401001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
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Abstract
This article focuses on the seven monumental Qur’āns made during the reign of Sultan al-Ashraf Shaʿbān II (r. 1363–1378), considered to be the masterpieces of the Mamluk arts of the book. These are MSS Cairo, Dār al-Kutub al-Miṣriyya Raṣīd 6, 7, 8, 9, 10, 15, and 54. The aim of this study is to deepen our knowledge of the manufacturing system and the context of production of these manuscripts through the examination of paper formats, writing, and illuminations. This analysis allows us to locate these Qur’āns in the overall context of fourteenth-century manuscripts production, but also to reconsider the place of the two illumination workshops involved in their ornamentation, as well as their relationship with Sultan Shaʿbān and his entourage.
期刊介绍：
The Journal of Islamic Manuscripts (JIM) explores the crucial importance of the handwritten book in the Muslim world. It is concerned with the written transmission of knowledge, the numerous varieties of Islamic book culture and the materials and techniques of bookmaking, namely codicology. It also considers activities related to the care and management of Islamic manuscript collections, including cataloguing, conservation and digitization. It is the Journal’s ambition to provide students and scholars, librarians and collectors – in short, everyone who is interested in Islamic manuscripts – with a professional journal and functional platform of their own. It welcomes contributions in English, French and Arabic on codicology, textual studies, manuscript collections and collection care and management. Papers will be peer-reviewed to maintain a high scholarly level. The Journal of Islamic Manuscripts is published on behalf of the Islamic Manuscript Association Limited, an international non-profit organization dedicated to protecting Islamic manuscripts and supporting those who work with them.
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