Transformasi Resistensi Perempuan dalam Novel Sitti Nurbaya Karya Marah Rusli ke Serial Musikal Nurbaya

Ajeng Restiyani, Suma Riella Rusdiarti
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Abstract

This study aims to dismantle the strengthening of patriarchal culture and its impact on women’s position in the adaptation of the Sitti Nurbaya novel by Marah Rusli to the Nurbaya musical series directed by Naya Anindita and Venytha Yoshianthini and broadcast on Indonesia Kaya Youtube channel. The research method used is analytical descriptive by applying the concept of ecranisation, a feminist approach and aspects of musicality in musical theater, in addition to digital cinematography as readings of a film theater. The results show the transformation of the main female character’s resistance to patriarchal culture in novels and musical series. In the novel, resistance is targeted at criticism of domestic practices in the household. In contrast, in musical theater the resistance is extended to contemporary issues, namely dreams of freedom and ideals. In addition, the resistance of the main female character also shows her agency, which can influence other oppressed women to fight back. However, despite the transformation of resistance, the adaptation still reflects the strengthening of patriarchal culture. In the musical series, the patriarchal culture that occurs is not only carried out by male domination but by the involvement of women in strengthening patriarchal domination.
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愤怒的拉斯利(Rusli)的《努尔巴亚社会》(Sitti Nurbaya)小说中的女性抵抗转变为《努尔巴亚音乐剧》(Nurbaya)
本研究旨在探讨马拉·鲁斯利(Marah Rusli)的小说《西蒂·努尔巴亚》(Sitti Nurbaya)改编为纳娅·阿尼蒂塔(Naya Anindita)和文妮莎·吉安蒂尼(Venytha Yoshianthini)执导并在印尼Kaya Youtube频道播出的《努尔巴亚音乐》系列中父权文化的强化及其对女性地位的影响。所使用的研究方法是分析描述性的,除了将数字电影摄影作为电影院的读物外,还应用了女性化的概念、女权主义的方法和音乐剧中的音乐性方面。研究结果表明,在小说和音乐剧中,女主人公对父权文化的反抗发生了转变。在小说中,反抗是针对家庭中对家庭习俗的批评。相反,在音乐剧中,阻力延伸到了当代问题,即自由和理想的梦想。此外,女主人公的反抗也显示了她的能动性,这种能动性可以影响其他被压迫的女性进行反击。然而,尽管经历了反抗的转变,这种适应仍然反映出父权文化的强化。在音乐系列中,父权文化不仅是由男性统治实现的,而且是由女性参与加强父权统治实现的。
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审稿时长
12 weeks
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