Zoomorphizing the Asterisms: Indigenous Interpretations of the Twenty-Eight Lunar Mansions in the History of China

IF 0.4 4区 社会学 0 ASIAN STUDIES Sungkyun Journal of East Asian Studies Pub Date : 2022-05-01 DOI:10.1215/15982661-9767171
Soyeon Kim
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Abstract

Abstract:The twenty-eight lunar mansions, one of the core ideas of the Chinese understanding of the celestial sphere, had been known as a guide to celestial areas and specific times dating back to antiquity. By combining with the Chinese thought of yinyang wuxing 陰陽五行, the lunar mansions became far more indigenous in character; at first, astronomical zoomorphism was not common in Han cosmology, but it became more so through this process of indigenization and standardization, especially from around the eleventh century. This period can be described as a major turning point in the historiography of the lunar mansions in China in that a complete iconography consisting of relatively familiar animals, instead of sacred imaginary beasts, appeared in many textual and visual materials (especially Daoist examples). Starting in the Yuan period, this zoomorphic iconography also appeared on official ceremonial flags unrelated to divination or astronomy. This may suggest changing Chinese attitudes toward the lunar mansions. The wish to control a wild but redoubtable nature may have bestowed a particular secular terrestrial significance on celestial bodies.
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放大星图:中国历史上二十八座月宫的本土解读
摘要:“月宫二十八”是中国人天球观的核心思想之一,自古以来就被认为是天界和特定时代的指南。通过与中国阴阳五行的思想相结合,月亮大厦变得更具本土特色;起初,天文兽形说在汉代宇宙学中并不常见,但经过本土化和标准化的过程,特别是从11世纪左右开始,这种现象变得越来越普遍。这一时期可以说是中国月宫史学的一个重要转折点,因为在许多文字和视觉材料中(特别是道家的例子)出现了由相对熟悉的动物组成的完整的图像,而不是神圣的想象中的动物。从元朝开始,这种兽形图案也出现在与占卜或天文学无关的官方仪式旗帜上。这可能表明中国人对月宫的态度正在改变。控制狂野但令人敬畏的自然的愿望可能赋予天体一种特殊的世俗意义。
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