The mediality of pre-recorded digital performing arts on YouTube: a skills-development module

IF 0.2 0 THEATER South African Theatre Journal Pub Date : 2020-09-01 DOI:10.1080/10137548.2021.1884127
Stephen Faber, M. Coetzee, M. Munro
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引用次数: 2

Abstract

This article assessed the efficacy of a skills-development module in pre-recorded digital performing arts (PRDPA) that was presented as an online workshop within the South African educational paradigm. The PRDPA module embraces the democratization of online media that the internet, in specific YouTube offers. PRDPA skills may enable young performers to introduce themselves to an online audience, promote themselves as performing artists and facilitate the efficacy of their online presence and digital footprint. The article drew on the theoretical domain of mediality, which included online presence, digital performance and PRDPA; and on the domain of education, which included social constructivism, and teaching and learning in a social network environment. The research was conducted as a qualitative, empirical study following a case study approach that made use of elements of cyberethnography and a differentiated comparative analysis. The pre-workshop videos and the videos that were created as part of the workshop by the workshop participants were analyzed, as well as the responses of a group of experts to the material generated by the participants before and after the presentation of the module. The analysis was supported by an evaluation of the module by the participants.
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YouTube上预先录制的数字表演艺术的媒介性:一个技能发展模块
本文评估了预先录制的数字表演艺术(PRDPA)中的技能发展模块的效果,该模块作为南非教育模式中的在线研讨会进行了介绍。PRDPA模块包含了互联网,特别是YouTube提供的在线媒体的民主化。PRDPA技能可以使年轻表演者向在线观众介绍自己,宣传自己是表演艺术家,并促进他们在线形象和数字足迹的有效性。文章借鉴了媒介性的理论领域,包括在线呈现、数字表演和PRDPA;以及教育领域,包括社会建构主义,以及社会网络环境下的教学。这项研究是一项定性的实证研究,采用了案例研究的方法,利用了网络民族志的元素和差异化的比较分析。对研讨会前的视频和研讨会参与者作为研讨会的一部分制作的视频进行了分析,并对一组专家对参与者在介绍模块前后编写的材料的答复进行了分析。该分析得到了参与者对该模块的评价的支持。
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CiteScore
0.20
自引率
0.00%
发文量
7
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