Baroque metaphors and Nietzschean influence in Vivaldi Metal Project’s The Four Seasons

IF 0.5 Q3 CULTURAL STUDIES Metal Music Studies Pub Date : 2023-06-01 DOI:10.1386/mms_00106_1
Sara Santa-Aguilar
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引用次数: 0

Abstract

In this article I will analyse how a widespread metaphor of Renaissance and Baroque literature, the comparison between the stages of life and the seasons of the year, is updated via a contemporary perspective and transformed through an intertextual relation with Nietzsche’s Thus Spoke Zarathustra in Vivaldi Metal Project’s The Four Seasons. I highlight the strong presence of Baroque aesthetics in symphonic metal and I aim to propose, from a literary perspective, a model for the analysis of the presence and transformation of Baroque elements in this subgenre.
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巴洛克隐喻与尼采对维瓦尔第金属计划《四季》的影响
在这篇文章中,我将分析文艺复兴和巴洛克文学的一个广泛的隐喻,即生活阶段和一年中的季节之间的比较,是如何通过当代的视角更新的,并通过与尼采在维瓦尔第金属项目的《四季》中的《查拉图斯特拉的原话》的互文关系而转变的。我强调了巴洛克美学在交响金属中的强烈存在,我的目标是从文学的角度提出一个模型来分析巴洛克元素在这个亚流派中的存在和转变。
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来源期刊
Metal Music Studies
Metal Music Studies Arts and Humanities-Music
CiteScore
1.20
自引率
0.00%
发文量
19
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