Фестивалі медіаарту на постіндустріальних локаціях

Олександра Халепа
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Abstract

On the example of iconic foreign festivals “Ars Electronica” (Linz, Austria), “Transmediale” (Berlin, Germany), “Gamma”(St. Petersburg, Russia) and domestic — “KIMAF” “Carbon Media Art Festival”, “Carbonarium” (Kyiv Ukraine) (Kyiv, Ukraine), “Nonstopmedia” (Kharkiv), “Transformer” (Lviv, Ukraine), “Terra Futura” (Kherson, Ukraine), “Hamselyt “ (Ternopil, Ukraine); analyzed the festivalformat as the most suitable for experimental synthesis of different types of media art, including in post-industrial locations.
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以国外标志性节日“Ars Electronica”(奥地利林茨)、“Transmediale”(德国柏林)、“Gamma”(俄罗斯圣彼得堡)和国内的“KIMAF”、“Carbon Media Art Festival”(乌克兰基辅)、“Nontopmedia”(哈尔科夫)、“Transformer”(乌克兰利沃夫)、“Terra Futura”(乌克兰赫尔松)为例,“Hamselyt”(乌克兰捷尔诺波尔);分析了节日形式最适合不同类型媒体艺术的实验合成,包括在后工业地区。
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