European conceptions of ‘exotic’ writing systems in the seventeenth and eighteenth centuries

IF 0.2 3区 文学 Q2 HISTORY Language & History Pub Date : 2018-04-16 DOI:10.1080/17597536.2018.1441955
C. Neis
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引用次数: 2

Abstract

Abstract In this paper, I present a brief overview of conceptions of ‘exotic’ writing systems in the seventeenth and eighteenth centuries with particular emphasis on ‘exotic’ forerunners of writing (such as the Peruvian quipus or the wampum belts of the Iroquois) and Egyptian hieroglyphs. The history of writing was often conceived of as a gradual development with a growing degree of complexity by authors like Antoine-Yves Goguet, Jean-Jacques Rousseau or William Warburton. Their description of ‘exotic’ writing systems generally reveals a euro-centric perspective as well as a sometimes inadequate knowledge of the true nature of different writing systems. After a description of several ‘exotic’ forerunners of writing, conceptions of Egyptian hieroglyphs are subjected to a more detailed examination. Given their enigmatic character, hieroglyphs seemed particularly well adapted for use in universal language schemes. In the last part of the paper, I will establish a link between non-alphabetical writing systems and ‘real characters’ to show how much the latter are indebted to the model of non-European scripts.
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十七、十八世纪欧洲人对“外来”书写系统的看法
摘要在本文中,我简要概述了17世纪和18世纪“外来”书写系统的概念,特别强调了书写的“外来”先驱(如秘鲁的quipus或易洛魁人的wampum带)和埃及象形文字。安托万·伊夫·戈格、让-雅克·卢梭或威廉·沃伯顿等作家经常认为写作史是一个逐渐发展的过程,其复杂性越来越大。他们对“异国情调”写作系统的描述通常揭示了以欧元为中心的观点,以及有时对不同写作系统的真实性质了解不足。在描述了几个“异国情调”的书写先驱之后,对埃及象形文字的概念进行了更详细的研究。鉴于象形文字的神秘特性,象形文字似乎特别适合在通用语言方案中使用。在论文的最后一部分,我将在非字母书写系统和“真实人物”之间建立联系,以表明后者在多大程度上归功于非欧洲文字的模式。
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来源期刊
Language & History
Language & History Multiple-
CiteScore
0.60
自引率
20.00%
发文量
13
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