Killing of Sambuka

IF 0.1 0 RELIGION Religious Studies and Theology Pub Date : 2023-03-15 DOI:10.1558/rst.23223
Thomas Seibel
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Abstract

The episode in the final book of Valmiki’s Ramayana, in which Rama executes a Sudra ascetic named Sambuka, has garnered critical discussion and creative reimagining over the centuries since it was composed. This paper situates the episode as a late addition of the Uttarakanda and its place therein, considering relevant semantic developments of the terms dharma and tapas, and changes in the rigidity of caste boundaries that allegedly took place during this time. Analysis of both pre-modern and modern creative engagements with the Sambukavadha reveal adjustments to the ways in which Rama, Sambuka, and the Brahmana advisors are portrayed and the values and concerns that these changes reflect in the corresponding social and cultural milieux. Finally, the episode as it appears in Anand Neelakanthan’s mythical novel, Asura: Tale of the Vanquished: The Story of Ravana and His People, is considered as recent addition to the living storytelling tradition.
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杀害桑布卡
瓦尔米基的《罗摩衍那》(Ramayana)的最后一本书中,罗摩处决了一个名叫桑布卡(Sambuka)的陀罗苦行僧。自创作以来,这一情节在几个世纪里引发了激烈的讨论和创造性的重新想象。本文将这一情节定位为《北达拉坎达》及其在其中的地位,考虑到“达摩”和“tapas”这两个术语的相关语义发展,以及据称在这一时期发生的种姓界限僵化的变化。对前现代和现代与《参布kavadha》的创造性接触的分析揭示了罗摩、参布卡和婆罗门顾问被描绘的方式的调整,以及这些变化在相应的社会和文化环境中反映的价值观和关注点。最后,阿南德·尼勒akanthan的神话小说《阿修罗:被征服者的故事:拉瓦那和他的子民的故事》中出现的这一情节被认为是最新的活故事传统。
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0.10
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发文量
17
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