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Where is God? Christian Faith in the Time of Great Uncertainty, Julián Carrón in conversation with Andrea Tornielli 上帝在哪里?《极不确定时期的基督教信仰》,Julián Carrón与安德烈·托尔涅利的对话
0 RELIGION Pub Date : 2023-03-15 DOI: 10.1558/rst.25628
Daniel M. Scott
Where is God? Christian Faith in the Time of Great Uncertainty, Julián Carrón in conversation with Andrea Tornielli. McGill-Queen’s University Press, 2020. 162pp. Hb. CDN$19.95. ISBN-13: 9780228000969.
上帝在哪里?《极不确定时期的基督教信仰》,Julián Carrón与安德烈·托尔涅利的对话。麦吉尔-皇后大学出版社,2020年。162页。Hb。CDN 19.95美元。ISBN-13: 9780228000969。
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引用次数: 0
Introduction 介绍
0 RELIGION Pub Date : 2023-03-15 DOI: 10.1558/rst.25793
Sean Hannan
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引用次数: 0
Fundamentalism or Tradition: Christianity after Secularism, edited by Aristotle Papanikolaou and George E. Demcaopouos. Volume 17 of Orthodox Christianity and Contemporary Thought. Series Editors Aristotle Papanikolaou and Ashley M. Purport 《原教旨主义或传统:世俗主义之后的基督教》,亚里士多德·帕帕尼科劳和乔治·E·德姆卡奥波斯主编。《东正教与当代思想》第17卷。系列编辑Aristotle Papanikolaou和Ashley M.Purport
0 RELIGION Pub Date : 2023-03-15 DOI: 10.1558/rst.25627
D. Scott
Fundamentalism or Tradition: Christianity after Secularism, edited by Aristotle Papanikolaou and George E. Demcaopouos. Volume 17 of Orthodox Christianity and Contemporary Thought. Series Editors Aristotle Papanikolaou and Ashley M. Purport. Fordham University Press, 2020. 275pp. Pb, $32.99. ISBN-13: 9780823285785.
《原教旨主义或传统:世俗主义之后的基督教》,亚里士多德·帕帕尼科劳和乔治·E·德姆卡奥波斯主编。《东正教与当代思想》第17卷。系列编辑Aristotle Papanikolaou和Ashley M.Purport。福特汉姆大学出版社,2020年。275页。Pb,32.99美元。ISBN-13:9780823285785。
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引用次数: 0
Redeeming Memory 兑换内存
0 RELIGION Pub Date : 2023-03-15 DOI: 10.1558/rst.23538
Jean-Pierre Fortin
This article channels the voices of leading Indigenous scholars Thomas King, Lee Maracle and Terry LeBlanc to retrieve the untold past and demystify the present so as to pave the way for a reconciled future. The colonial narrative of civilization undergirding settler Christian identity and way of life must be challenged by Indigenous stories of trauma, survival and struggle for liberation. King, Maracle and LeBlanc enjoin settler Canadians and Christians to produce an honest account of history and Christianity, decolonize and de-Europeanize culture and Christianity, engage and listen to Indigenous peoples and cultures as equals, dialogue partners and teachers in order to contribute to the creation of truly multicultural Canada and Christianity.
本文通过土著著名学者Thomas King、Lee Maracle和Terry LeBlanc的声音,找回不为人知的过去,揭开现在的神秘面纱,为和解的未来铺平道路。建立定居者基督徒身份和生活方式的文明殖民叙事必须受到创伤、生存和解放斗争的土著故事的挑战。King、Maracle和LeBlanc要求加拿大定居者和基督徒诚实地讲述历史和基督教,使文化和基督教非殖民化和去欧洲化,平等地参与和倾听土著人民和文化、对话伙伴和教师的意见,为创建真正多文化的加拿大和基督教做出贡献。
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引用次数: 0
Overlooked: The Forgotten Stories of Canadian Christianity by James Robertson 詹姆斯·罗伯逊的《被忽视的加拿大基督教故事》
0 RELIGION Pub Date : 2023-03-15 DOI: 10.1558/rst.25667
Sarah Wilkins-Laflamme
Overlooked: The Forgotten Stories of Canadian Christianity by James Robertson. New Leaf Press. 2022. 354pp. Pb. $35. ISBN-13: 9780995305441.
《被忽视:加拿大基督教被遗忘的故事》,詹姆斯·罗伯逊著。新叶出版社。2022。354页。Pb。35美元。ISBN-13: 9780995305441。
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引用次数: 0
Denying a God of Mercy 否认慈悲之神
0 RELIGION Pub Date : 2023-03-15 DOI: 10.1558/rst.24834
Robert Wiznura
This essay concerns itself with notions of masculinity in John Milton’s Samson Agonistes. Essentially, the essay argues that the violence in the play is a direct result of concepts of masculinity and the projection of those concepts onto God. The characters in the play repeatedly fail to recognize a God of compassion or mercy, preferring to remain within their notions of a voluntarist, vindictive, vengeful, and violent God. The argument considers the relationship of the play with the Book of Judges before shifting its focus to the Chorus, particularly their activity in framing and controlling the narrative. The play gives us various hints as to why we should pause before following their interpretations. The essay then examines a motif of hands/touch, which intersects with the motif in Paradise Lost, but to very different outcomes. The ending of the play is catastrophic and a direct result of an adherence to a particular view of God and an inability to entertain other views.
这篇文章关注的是约翰·米尔顿的《萨姆森·阿戈尼斯特》中的男子气概概念。从本质上讲,文章认为剧中的暴力是男性气质概念和这些概念投射到上帝身上的直接结果。剧中的角色一再不认识同情或怜悯的上帝,宁愿停留在他们心目中的自愿、报复、复仇和暴力的上帝。在将焦点转移到合唱之前,这场争论考虑了该剧与《法官之书》的关系,特别是他们在叙事框架和控制方面的活动。这出戏给了我们各种各样的暗示,为什么我们应该在遵循他们的解释之前停下来。然后,这篇文章考察了手/触摸的主题,它与《失乐园》中的主题相交,但结果截然不同。这部剧的结局是灾难性的,是坚持某种特定的上帝观而无法接受其他观点的直接结果。
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引用次数: 0
“Myths to Die By?” “死亡的神话?”
0 RELIGION Pub Date : 2023-03-15 DOI: 10.1558/rst.21267
J. Dadosky
This article critically engages René Girard’s approach to myth by reference to the Diné (Navajo) creation story (Diné bahane’). According to Girard all myths conceal real events of violence that have been concealed during the centuries of their recounting. Closer analysis reveals that Girard’s approach is one-sidedly pejorative in his hermeneutics of myth. By contrast, the Diné hold their creation story to be a sacred account of their origins and as such it is foundational to their traditional way of life. Prima facie, while certain themes in their sacred story may seem to corroborate Girard’s hermeneutics of myth, a closer examination of the anomalies raises critical questions about Girard’s assumptions, especially with respect to aboriginal creation stories and reveals a further need to clarify the legitimate place for positive and pejorative approaches to myth.
这篇文章通过参考din(纳瓦霍人)创造故事(din bahane’),批判性地运用了ren·吉拉德对神话的研究方法。根据吉拉德的说法,所有的神话都隐藏了真实的暴力事件,这些事件在它们的叙述中被隐藏了几个世纪。进一步分析可以发现,吉拉德的神话解释学方法是片面的贬损。相比之下,恐龙人认为他们的创世故事是对他们起源的神圣描述,因此这是他们传统生活方式的基础。表面上看,虽然他们神圣故事中的某些主题似乎证实了吉拉德对神话的解释学,但对这些异常现象的更仔细检查提出了关于吉拉德假设的关键问题,特别是关于土著创造故事,并揭示了进一步需要澄清积极和贬低神话方法的合法地位。
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引用次数: 0
“Community as church, church as community” “社区即教会,教会即社区”
0 RELIGION Pub Date : 2023-03-15 DOI: 10.1558/rst.24060
Michael P. Plekon
Based on my book of the same title, the article argues that community is one of the most ancient and accurate ways of defining church. The study is of the decline and shrinkage of the “local church” of the parish, with reflections on the drift from organized religion and with a range of examples of congregations which have resurrected themselves. This renewal has involved reinvention of mission, replanting the the community, repurposing buildings and property, among other activities. Given the Paschal mystery of death and resurrection, these congregations along with several important writers’ voices, point paths forward for communities of faith.
这篇文章基于我的同名著作,认为社区是定义教会最古老、最准确的方式之一。这项研究是关于教区“地方教会”的衰落和萎缩,反思了有组织宗教的漂移,以及一系列会众自己复活的例子。这种更新包括重新定义使命,重新种植社区,重新利用建筑物和财产,以及其他活动。考虑到逾越节死亡与复活的奥秘,这些教会与几位重要作家的声音一起,为信仰团体指明了前进的道路。
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引用次数: 0
Killing of Sambuka 杀害桑布卡
0 RELIGION Pub Date : 2023-03-15 DOI: 10.1558/rst.23223
Thomas Seibel
The episode in the final book of Valmiki’s Ramayana, in which Rama executes a Sudra ascetic named Sambuka, has garnered critical discussion and creative reimagining over the centuries since it was composed. This paper situates the episode as a late addition of the Uttarakanda and its place therein, considering relevant semantic developments of the terms dharma and tapas, and changes in the rigidity of caste boundaries that allegedly took place during this time. Analysis of both pre-modern and modern creative engagements with the Sambukavadha reveal adjustments to the ways in which Rama, Sambuka, and the Brahmana advisors are portrayed and the values and concerns that these changes reflect in the corresponding social and cultural milieux. Finally, the episode as it appears in Anand Neelakanthan’s mythical novel, Asura: Tale of the Vanquished: The Story of Ravana and His People, is considered as recent addition to the living storytelling tradition.
瓦尔米基的《罗摩衍那》(Ramayana)的最后一本书中,罗摩处决了一个名叫桑布卡(Sambuka)的陀罗苦行僧。自创作以来,这一情节在几个世纪里引发了激烈的讨论和创造性的重新想象。本文将这一情节定位为《北达拉坎达》及其在其中的地位,考虑到“达摩”和“tapas”这两个术语的相关语义发展,以及据称在这一时期发生的种姓界限僵化的变化。对前现代和现代与《参布kavadha》的创造性接触的分析揭示了罗摩、参布卡和婆罗门顾问被描绘的方式的调整,以及这些变化在相应的社会和文化环境中反映的价值观和关注点。最后,阿南德·尼勒akanthan的神话小说《阿修罗:被征服者的故事:拉瓦那和他的子民的故事》中出现的这一情节被认为是最新的活故事传统。
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引用次数: 0
“A time will come…” “总有一天会到来…”
0 RELIGION Pub Date : 2023-03-15 DOI: 10.1558/rst.24352
Mark Roblee
In a section of the late antique philosophical text known as the Latin Asclepius, Hermes Trismegistus foretells catastrophe for Egypt due to impiety. Hermes describes how an extreme breakdown in institutional, social, and environmental order will eventually lead to renewal. Many scholars argue that literary representations of catastrophe reflected social conditions and/or legitimized power. Like other philosophical writings, the Hermetic tractates suggested a “way of life.” This paper will demonstrate how epistrophe, the “inward turn,” exhibited in much late antique philosophy, could be one outcome of reading literary representations of social, political, and environmental catastrophe. By putting philosophical tractates such as the Asclepius in the context of rhetorical education and reading theory, I argue that reading this catastrophe was a “spiritual exercise” intended to further initiatory progress toward personal divinity. Appreciating how the Latin Asclepius simultaneously functioned in both social and personal contexts increases our understanding of late antique wisdom communities, and the individuals that composed them.
在被称为拉丁语Asclepius的晚期古代哲学文本的一部分中,Hermes Trismegistus预言了埃及因不虔诚而发生的灾难。Hermes描述了制度、社会和环境秩序的极端崩溃将如何最终导致复兴。许多学者认为,灾难的文学表现反映了社会条件和/或合法化的权力。与其他哲学著作一样,Hermetic tractates提出了一种“生活方式”。本文将展示在许多晚期古代哲学中表现出的“内向转向”,是如何解读社会、政治和环境灾难的文学表征的结果之一。通过将《阿斯克勒庇俄斯》等哲学著作放在修辞教育和阅读理论的背景下,我认为阅读这场灾难是一种“精神锻炼”,旨在进一步向个人神性迈进。欣赏拉丁语Asclepius如何在社会和个人背景下同时发挥作用,可以加深我们对古代晚期智慧社区及其组成者的理解。
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Religious Studies and Theology
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