The Art of Printing in the Dutch East Indies

Lisa Kuitert
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Abstract

In the Netherlands, and elsewhere, too, Laurens Janszoon Coster of Haarlem, and not Gutenberg, was long thought to have been the inventor of the art of printing. The myth—for that is what it was—was only definitively repudiated at the end of the nineteenth century, though some continued to believe in Coster until their dying breath. The Coster myth was deployed to give the history of the Netherlands status and international prestige. This article concerns the extent to which Coster’s supposed invention was known in the Dutch East Indies—today’s Indonesia, a Dutch colony at that time—and what its significance was there. After all, heroes, national symbols and traditions, whether invented or not, are the building blocks of cultural nationalism. Is this also true for Laurens Janszoon Coster in his colonial context?
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荷属东印度群岛的印刷艺术
在荷兰和其他地方,长期以来,人们一直认为印刷艺术的发明者是哈勒姆的劳伦斯·扬松·科斯特(Laurens Janszoon Coster),而不是古腾堡。这个神话——因为它本来就是神话——直到19世纪末才被彻底否定,尽管有些人一直相信科斯特的存在,直到生命的最后一刻。科斯特神话被用来赋予荷兰的历史地位和国际声望。这篇文章关注的是科斯特所谓的发明在荷属东印度群岛——今天的印度尼西亚,当时是荷兰的殖民地——广为人知的程度,以及它在那里的意义。毕竟,英雄、民族象征和传统,无论是否虚构,都是文化民族主义的基石。在他的殖民背景下,这对劳伦斯·杨松·科斯特来说也是如此吗?
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
15
期刊介绍: Quærendo is a leading peer-reviewed journal in the world of manuscripts and books. It contains a selection of scholarly articles connected with the Low Countries. Particular emphasis is given to codicology and palaeography, printing from around 1500 until present times, humanism, book publishers and libraries, typography, bibliophily and book binding. Since 1971 Quærendo has been establishing itself as a forum for contributions from the Low Countries concerning the history of books. Its appearance in the great libraries of the world as well as on the book shelves of individual professors and scholars, shows it to be an invaluable reference work for their research.
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