From a Laboratory of Power to a Laboratory of Violence: The Panoptic Layout of the Nazi Concentration Camp at Sachsenhausen and the Diverging Intentions of Disciplinary and Absolute Power
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引用次数: 0
Abstract
Drawing on the theories of Michel Foucault’s Discipline and Punish, Hannah Arendt’s Origins of Totalitarianism and Wolfgang Sofsky’s The Order of Terror, this article takes the panoptic layout of Sachsenhausen concentration camp as a case study to explore the diverging intentions of disciplinary and absolute power. Research into the history, architectural layout and social hierarchies of Sachsenhausen can help us to understand the psychological impacts of the built environment and the social structure of the camp on its inmates. The article is based not only on scientific literature but also on eyewitness reports of survivors in the form of written accounts and visual history. Moreover, archaeological material of excavations carried out at Sachsenhausen offers insights into – otherwise undocumented – aspects of daily life, strategies of survival and ways of resistance of the prisoners.
期刊介绍:
The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.