Geographies of Truth: Art and symbolic repair at Casa de la Memoria Museum

IF 0.7 0 HUMANITIES, MULTIDISCIPLINARY Museums & Social Issues-A Journal of Reflective Discourse Pub Date : 2022-01-02 DOI:10.1080/15596893.2022.2143757
Adriana Valderrama Lopez
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Abstract

“ Dirty and clean water have the same sound. They follow the same ancient gap between the stones. The ear errs. Neither the eye nor the nose errs: that rotten water smells of death even if it sounds like life. A wrinkled paper and a mountain have reliefs, similar folds; so does the skin. There are wounds on the earth, self-in fl icted wounds or wounds we in fl icted on her. We open graves or exhumated bodies in search of answers, looking for something that explains violence or lies. There is a desire in the open earth, a desire to swallow you, as in the open skin. ‘ A wound that hurts but is not felt ’” (
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真相的地域:记忆之家博物馆的艺术和象征修复
“脏水和清水有着相同的声音。它们沿着石头之间古老的缝隙流动。耳朵会犯错。眼睛和鼻子都不会犯错:腐烂的水闻起来有死亡的味道,即使听起来像生命。一张皱巴巴的纸和一座山上有浮雕,类似的褶皱;皮肤也是如此。地球上有伤口,有自我感染的伤口,也有我们在她身上感染的伤口。我们打开坟墓或挖掘尸体寻找答案,寻找可以解释暴力或谎言的东西。在开阔的大地上有一种欲望,一种吞噬你的欲望,就像在开阔的皮肤上一样。”伤口很痛但感觉不到”(
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Repair through empathy: narratives of reconciliation in two white terror memorial parks in Taiwan Vernacular memorial museums: memory, trauma and healing in post-communist Bulgaria Institutional experiments in urban relationality: repairing the social bond in capitalist urbanism Geographies of Truth: Art and symbolic repair at Casa de la Memoria Museum Time to mend: rewilding museums
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