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Time to mend: rewilding museums 是时候修复了:重建博物馆
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-02 DOI: 10.1080/15596893.2022.2055961
B. McKenzie
ABSTRACT This is an account of an enquiry by Climate Museum UK (CMUK) into the potential of rewilding museums towards systemic repair. Rewilding is a progressive approach to conservation enabling natural processes to reshape places. To rewild museums bears the implication that museums must rewild themselves if they are to be agents for rewilding of the Earth. This might mean undertaking mission-altering work for community wellbeing, or addressing legacies of biocolonialism. We used this enquiry into rewilding to inform our evolution as a new activist museum, generating a vision to become more distributed. Inspired by the mutual exchanges of mycorrhizal fungi with plants, our members issue spores of regenerative change by carrying out “activations” in their communities across the UK. This piece applies theories about rewilding to museums, illustrating them with some of CMUK’s activations, including The Wild Museum, an experience led by animal curators, and Acts of Tree Kindness.
摘要:这是英国气候博物馆(CMUK)对重建博物馆以实现系统修复的潜力的调查。重建是一种渐进的保护方法,使自然过程能够重塑地方。重建博物馆意味着,如果博物馆要成为重建地球的代理人,就必须重建自己。这可能意味着为了社区福祉而进行改变使命的工作,或者解决生物殖民主义的遗留问题。我们利用对重建的调查,为我们作为一个新的活动家博物馆的演变提供了信息,产生了一个更加分散的愿景。受菌根真菌与植物相互交流的启发,我们的成员通过在英国各地的社区进行“激活”来发布再生变化的孢子。这篇文章将关于重建的理论应用于博物馆,并用CMUK的一些激活来说明它们,包括动物策展人领导的野生博物馆和树木慈善行为。
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引用次数: 0
Repair through empathy: narratives of reconciliation in two white terror memorial parks in Taiwan 透过移情修复:台湾两个白色恐怖纪念公园的和解叙事
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-02 DOI: 10.1080/15596893.2022.2116781
H. Murphy, Ya-ling Chang
ABSTRACT Taiwan has emerged from its authoritarian past into a democratic present, bearing the scars of traumatic and violent historic events. As symbols of repressive histories, penal museums in Taiwan stand at the center of questions about how traumatic pasts can be reconciled and justice sought for victims of previous regimes. By close semiotic examination of two museums that served as sites of incarceration during the White Terror period (1949–1987), this study uses multimodal discourse analysis to understand how these places are used to construct narratives about transitional justice. Hardship, control and human rights narratives are used to construct empathy, conducive to the acceptance and deepening of transitional justice efforts in post-authoritarian Taiwan. These museums help to recover the truth of the authoritarian past and place the experience of Taiwanese political prisoners in the larger context of global human rights and transitional justice narratives.
摘要台湾已经从过去的威权主义走向民主的现在,带着创伤和暴力历史事件的创伤。作为压抑历史的象征,台湾的刑罚博物馆是如何调和创伤过去和为前政权受害者伸张正义的问题的中心。通过对白色恐怖时期(1949–1987)被监禁的两个博物馆进行仔细的符号学检查,本研究使用多模态话语分析来理解这些地方是如何被用来构建关于过渡时期正义的叙事的。艰难、控制和人权叙事被用来构建同理心,有助于接受和深化后威权台湾的过渡司法努力。这些博物馆有助于恢复独裁历史的真相,并将台湾政治犯的经历置于全球人权和过渡时期司法叙事的更大背景下。
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引用次数: 0
Geographies of Truth: Art and symbolic repair at Casa de la Memoria Museum 真相的地域:记忆之家博物馆的艺术和象征修复
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-02 DOI: 10.1080/15596893.2022.2143757
Adriana Valderrama Lopez
“ Dirty and clean water have the same sound. They follow the same ancient gap between the stones. The ear errs. Neither the eye nor the nose errs: that rotten water smells of death even if it sounds like life. A wrinkled paper and a mountain have reliefs, similar folds; so does the skin. There are wounds on the earth, self-in fl icted wounds or wounds we in fl icted on her. We open graves or exhumated bodies in search of answers, looking for something that explains violence or lies. There is a desire in the open earth, a desire to swallow you, as in the open skin. ‘ A wound that hurts but is not felt ’” (
“脏水和清水有着相同的声音。它们沿着石头之间古老的缝隙流动。耳朵会犯错。眼睛和鼻子都不会犯错:腐烂的水闻起来有死亡的味道,即使听起来像生命。一张皱巴巴的纸和一座山上有浮雕,类似的褶皱;皮肤也是如此。地球上有伤口,有自我感染的伤口,也有我们在她身上感染的伤口。我们打开坟墓或挖掘尸体寻找答案,寻找可以解释暴力或谎言的东西。在开阔的大地上有一种欲望,一种吞噬你的欲望,就像在开阔的皮肤上一样。”伤口很痛但感觉不到”(
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引用次数: 0
Institutional experiments in urban relationality: repairing the social bond in capitalist urbanism 城市关系的制度实验:修复资本主义城市主义中的社会纽带
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-02 DOI: 10.1080/15596893.2022.2132682
Amy Melia
ABSTRACT Isolation and loneliness have become characteristic of capitalist cities where spaces for sociality, connection, and togetherness are few and far between, supplanted by an abundance of artificial “pseudo-social spaces” mediated by capital. This social fracture at the heart of contemporary urbanism is an urban-spatial extension of sociality’s degradation and economic capture under capitalist production. For many urban Marxist scholars, urbanization is a process now characterized by the commons’ continuous appropriation and annihilation by private interests. Arguably, within this context, “experimental institutionalism” has aimed to reconfigure art institutions into sites for sociality, dialogue, care, and collaboration. Experimental institutionalism is a field of institutional reform, curatorial practice, and debate concerned with the art institution’s transformation into a socially responsible agent. In this paper, I summarize experimental institutionalism’s main dimensions, drawing on key examples from the field to explore the art museum’s capacity to repair the social bonds ruptured by capitalist urbanism.
摘要孤立和孤独已经成为资本主义城市的特征,在资本主义城市中,社交、联系和团结的空间很少,取而代之的是大量由资本中介的人造“伪社会空间”。当代城市主义核心的这种社会断裂是资本主义生产下社会性退化和经济捕获的城市空间延伸。对于许多城市马克思主义学者来说,城市化是一个公地不断被私人利益侵占和消灭的过程。可以说,在这种背景下,“实验制度主义”旨在将艺术机构重新配置为社交、对话、关怀和合作的场所。实验制度主义是一个关于制度改革、策展实践和辩论的领域,涉及艺术机构向社会责任主体的转变。在这篇论文中,我总结了实验制度主义的主要维度,并引用了该领域的关键例子来探索美术馆修复资本主义城市化所破坏的社会纽带的能力。
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引用次数: 0
Vernacular memorial museums: memory, trauma and healing in post-communist Bulgaria 白话纪念博物馆:后共产主义保加利亚的记忆、创伤和治愈
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2022-01-02 DOI: 10.1080/15596893.2022.2097396
Krasimira Butseva
ABSTRACT Shortly after the coup d’état of 1944 in Bulgaria, state-organized repressions began to take place against political opponents and dissidents. They included mass shootings, life imprisonment, incarceration and the establishment of gulag camps whose scale and longevity has been documented only recently. In the aftermath of Eastern European communism, untangling the memory of political violence without a formal process of restorative justice presented new challenges. This paper examines the processes of healing, reparation, processing and the preservation of traumatic memory of survivors and communities occurring within and through self-initiated and unofficial vernacular memorial museums. What possibilities do vernacular memorial sites hold for collective, collaborative and participatory reparative forms? How are traumatic memory and these difficult historical narratives presented, transmitted and preserved through these physical and digital commemorative spaces?
摘要1944年保加利亚政变后不久,国家有组织地镇压政治反对派和持不同政见者。其中包括大规模枪击、终身监禁、监禁和建立古拉格集中营,这些集中营的规模和寿命直到最近才有记录。在东欧共产主义之后,在没有正式恢复性司法程序的情况下解开政治暴力的记忆带来了新的挑战。本文研究了幸存者和社区在自发和非官方的本土纪念博物馆内发生的创伤记忆的愈合、修复、处理和保存过程。乡土纪念地具有哪些集体性、协作性和参与性修复形式的可能性?创伤记忆和这些艰难的历史叙事是如何通过这些物理和数字纪念空间呈现、传递和保存的?
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引用次数: 0
Bumpy Roads: global aspirations and local interruptions in Hyderabad, India 崎岖不平的道路:印度海得拉巴的全球抱负和地方中断
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.51142/issues-journal-5-1-1
S. Annavarapu
“Naganna’s back is broken” Siraj casually remarks, while wiping the windshield of his shiny black and yellow autorickshaw. Naganna, fifty-seven years of age, is asleep on the side of the street. Lying on two newspapers, he smiles at me, signaling that he needs a couple of minutes before he can join Siraj and me for chai (tea). Naganna’s frail body looks exhausted, and his face is wrinkled with pain. “How did this happen?” I ask Siraj.
“Naganna的背断了,”Siraj一边擦着他那锃亮的黑黄三轮车的挡风玻璃,一边漫不经心地说。五十七岁的Naganna睡在路边。他躺在两张报纸上,对我微笑,示意他需要几分钟才能和我和西拉杰一起喝茶。Naganna虚弱的身体看起来很疲惫,他的脸上布满了痛苦的皱纹。“这是怎么发生的?”我问Siraj。
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引用次数: 0
Cultural Strategy at the Urban Periphery: The City of Parramatta 城市边缘的文化战略:帕拉马塔市
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.51142/issues-journal-5-1-4
Sarah Nectoux
Since the 1990s, when the successful cultural-led urban renewal of cities like Bilbao and Glasgow held out the promise that peripheral cities, no less than world cities, could capitalise on culture, much urban cultural strategic planning has sought to gain global attention and achieve socio-economic growth. Such planning has produced mixed results in granting citizens access and production to their city. This essay looks at strategies in multicultural urban areas that lie at the margin of global cities, focusing on the City of Parramatta.
自20世纪90年代以来,当毕尔巴鄂和格拉斯哥等城市以文化为主导的城市更新取得成功时,周边城市(不少于世界城市)有望利用文化,许多城市文化战略规划都寻求获得全球关注并实现社会经济增长。这样的规划在允许市民进入和生产城市方面产生了好坏参半的结果。本文着眼于位于全球城市边缘的多元文化城市地区的战略,重点关注帕拉马塔市。
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引用次数: 0
Pebbles on the Beach of the “Great Transformation”: Lesser Memories of Coal in the Ruhr Metropolis “大转型”海滩上的鹅卵石:鲁尔大都会煤炭的次要记忆
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.51142/issues-journal-5-1-2
U. Eickelkamp
Six decades ago, Germany’s Ruhr region began its slow transition out of coalmining and the coal-powered iron and steel industry. Over the last twenty years a blue economy has developed in their stead pivoting on the lead market ‘resource efficiency’, while the Ruhr Metropolis has gained recognition for the rehabilitation of its heavily polluted environment. This managed transition has seen the rise of eco-industries – sustainable energy production, research and development in universities, environmental technology companies, industrial heritage and nature tourism, as well as consumptive industries seen as eco-adjacent, foremost sports, leisure, arts and culture. These are central to an overarching strategy for the establishment of a sustainable, climate-resilient and future-proof Ruhr region and a globally significant investment site in the heart of Europe.
60年前,德国鲁尔地区开始缓慢地摆脱煤炭开采和以煤为动力的钢铁工业。在过去的二十年里,蓝色经济以“资源效率”为主导市场发展起来,而鲁尔大都市因恢复其严重污染的环境而获得认可。这种有管理的转型见证了生态产业的兴起——可持续能源生产、大学研究和开发、环境技术公司、工业遗产和自然旅游,以及被视为生态邻近的消费产业,最重要的是体育、休闲、艺术和文化。这些都是建立一个可持续、气候适应和面向未来的鲁尔地区的总体战略的核心,也是在欧洲心脏地区建立一个全球重要的投资基地。
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引用次数: 0
Rajat Neogy, Transition magazine and the “Asian Question” in Post-Independent Uganda 《过渡》杂志与独立后乌干达的“亚洲问题”
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.51142/issues-journal-5-1-3
Mahruba T. Mowtushi
One afternoon in November 1961, a young man with a “[b]ig beard, lots of hair [and] huge black brooding eyes” (Hume 1967, 35), walked into a bar in Kampala carrying copies of an English-language magazine. As the young man pushed through the lunchtime crowd, an Englishman tore a copy, stomped on it, and shouted: “That’s what I think of your magazine!” (Hume 1967, 35).
1961年11月的一个下午,一个“大胡子、浓密头发和一双黑色大眼睛”(休谟1967,35)的年轻人走进坎帕拉的一家酒吧,手里拿着一本英文杂志。当这个年轻人挤过午餐人群时,一个英国人撕下一份报纸,一脚踩在上面,喊道:“我就是这么看你的杂志的!(休谟1967,35)。
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引用次数: 0
Introduction 介绍
0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-17 DOI: 10.4324/9781315421735-1
Judy Koke, John Fraser
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引用次数: 0
期刊
Museums & Social Issues-A Journal of Reflective Discourse
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