Archaeologies of the Present and Sedimented Futures: Reflections from Lake Titicaca, Bolivia

IF 0.6 0 ARCHAEOLOGY Journal of Contemporary Archaeology Pub Date : 2019-08-02 DOI:10.1558/JCA.33817
Andrew P. Roddick
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引用次数: 6

Abstract

In this article, I argue for the merits of a future-oriented ethnoarchaeology that engages recent critiques of ethnoarchaeology and underscores the material traces of our own practices. I develop such an approach by discussing the recent work of the Proyecto Ollero Titicaca Sur, an archaeological, ethnographic, and historic project that explores ceramic craft production in the Lake Titicaca basin, Bolivia. This research was originally framed as an analogy-driven ethnoarchaeological project, connecting dynamics of pottery production with research into crafting communities in the deeper past. However, ongoing work has revealed a community defined not just by the material traces of a historical tradition but also by differential and “arrested” futures. This plurality of futures includes the often-unacknowledged relationship of the ethnoarchaeologist to a larger landscape of development.
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现在和沉积的未来的考古:玻利维亚喀喀湖的反思
在这篇文章中,我主张以未来为导向的民族考古学的优点,它涉及最近对民族考古学的批评,并强调了我们自己实践的物质痕迹。我通过讨论Proyecto Ollero Titicaca Sur最近的工作来发展这种方法,该项目是一个考古、民族志和历史项目,旨在探索玻利维亚喀喀湖流域的陶瓷工艺生产。这项研究最初被定义为一个类比驱动的民族考古项目,将陶器生产的动态与对更深层次的手工艺社区的研究联系起来。然而,正在进行的工作揭示了一个不仅由历史传统的物质痕迹定义的社区,还由差异和“被捕”的未来定义的社区。这种未来的多样性包括民族考古学家与更大的发展景观之间经常未被承认的关系。
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来源期刊
CiteScore
1.20
自引率
0.00%
发文量
14
期刊介绍: The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.
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