Media education and the limits of “literacy”: Ecological orientations to performative platforms

IF 1.6 3区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH Curriculum Inquiry Pub Date : 2021-04-15 DOI:10.1080/03626784.2020.1865104
T. Nichols, R. LeBlanc
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引用次数: 13

Abstract

Abstract Recently, talk of “fake news” – and its relation to wider epistemic crises, from climate denialism to the creep of global ethno-nationalism – has renewed attention to media literacy in education. For some, revived discussions of media literacy offer protection (e.g., strategies for identifying and critiquing media bias and misinformation). For others, they offer empowerment (e.g., equipping youth to produce media messages that challenge misinformation or represent marginalized perspectives). In this article, we consider how such approaches, while often generative, retain a focus of media pedagogy that centers the actions of individual humans – namely, “literacies,” or practices associated with the interpretation or creation of media texts. This orientation, we suggest, elides more distributive agencies, human and nonhuman, that animate contemporary media contexts and their usage: the imbrication of material (hardware), aesthetic (interfaces), computational (algorithms), and regulatory (protocols/defaults) actors with wider networks of institutional governance and political economy. Drawing from theories of scalar assemblages, posthumanist performativtity, and platform studies, we demonstrate how an alternate orientation to media pedagogy – one grounded in “ecology” rather than “literacy” – provides a wider repertoire of resources for navigating contemporary media environments, including (but not limited to) the challenges wrought by post-truth politics. Importantly, we suggest that an orientation of “civic media ecology” does not obviate traditional representational concerns of media literacy, but augments them by making legible the performative entanglements that constitute and animate processes of media production and consumption.
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媒介教育与“素养”的局限:表演平台的生态定位
最近,关于“假新闻”的讨论——以及它与更广泛的认知危机的关系,从气候否认主义到全球种族民族主义的蔓延——重新引起了人们对教育中的媒体素养的关注。对一些人来说,媒体素养的重新讨论提供了保护(例如,识别和批评媒体偏见和错误信息的策略)。对另一些人来说,它们提供了赋权(例如,使青年能够制作挑战错误信息或代表边缘化观点的媒体信息)。在这篇文章中,我们考虑了这些方法,虽然通常是生成的,但如何保持媒体教育学的焦点,以个人的行为为中心-即“素养”,或与媒体文本的解释或创造相关的实践。我们认为,这一方向忽略了更多的分配机构,人类和非人类,这些机构赋予当代媒体环境及其使用活力:材料(硬件)、美学(界面)、计算(算法)和监管(协议/默认)参与者与更广泛的制度治理和政治经济网络的融合。从标量集合、后人类主义行为和平台研究的理论中,我们展示了媒体教育学的另一种取向——一种基于“生态学”而不是“识字”的取向——如何为驾驭当代媒体环境提供更广泛的资源,包括(但不限于)后真相政治带来的挑战。重要的是,我们认为,“公民媒体生态”的取向并没有消除媒体素养的传统代表性问题,而是通过使构成和激活媒体生产和消费过程的表演纠缠变得清晰,从而增强了这些问题。
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来源期刊
Curriculum Inquiry
Curriculum Inquiry EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
3.10
自引率
17.60%
发文量
37
期刊介绍: Curriculum Inquiry is dedicated to the study of educational research, development, evaluation, and theory. This leading international journal brings together influential academics and researchers from a variety of disciplines around the world to provide expert commentary and lively debate. Articles explore important ideas, issues, trends, and problems in education, and each issue also includes provocative and critically analytical editorials covering topics such as curriculum development, educational policy, and teacher education.
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