The World Union of Documentary and the Early Cold War

IF 0.2 4区 社会学 Q4 CULTURAL STUDIES Boundary 2-An International Journal of Literature and Culture Pub Date : 2022-02-01 DOI:10.1215/01903659-9615445
A. Lovejoy
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Abstract

This essay traces the evolution of the idea of “international documentary” during the early Cold War through the history of the World Union of Documentary (1947–50), an association spearheaded by documentarian Joris Ivens that aimed to articulate a common purpose for postwar documentary and to facilitate the international exchange of films, professionals, and knowledge in the field. I investigate the links between the association and contemporaneous international initiatives, chiefly film festivals and the peace movement, focusing throughout on Eastern Europe, where the World Union was headquartered for most of its existence. Indeed, the association's history is inextricable from that of Ivens's 1949 film about the East European “new democracies,” The First Years (Pierwsze lata). Both projects, I argue, were impeded not only by the polarized political atmosphere of the period but also by complex political, administrative, and generational dynamics within the documentary community and the international Left.
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世界纪录片联盟与冷战初期
本文通过世界纪录片联盟(1947 - 1950)的历史追溯了冷战早期“国际纪录片”概念的演变,该联盟由纪录片导演约里斯·伊文斯(Joris Ivens)领导,旨在阐明战后纪录片的共同目标,并促进该领域电影、专业人员和知识的国际交流。我调查了该协会与当代国际倡议之间的联系,主要是电影节和和平运动,重点放在整个东欧,那里是世界联盟大部分时间的总部。的确,该协会的历史与伊文斯1949年拍摄的关于东欧“新民主国家”的电影《第一年》(the First Years)密不可分。我认为,这两个项目不仅受到当时两极分化的政治氛围的阻碍,还受到纪录片社区和国际左派内部复杂的政治、行政和代际动态的阻碍。
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来源期刊
CiteScore
0.20
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0.00%
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24
期刊介绍: Extending beyond the postmodern, boundary 2, an international journal of literature and culture, approaches problems in these areas from a number of politically, historically, and theoretically informed perspectives. boundary 2 remains committed to understanding the present and approaching the study of national and international culture and politics through literature and the human sciences.
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