Poetic metre as a function of language: linguistic grounds for metrical variation in Estonian runosongs

IF 0.4 0 LANGUAGE & LINGUISTICS Studia Metrica et Poetica Pub Date : 2020-03-10 DOI:10.12697/smp.2019.6.2.04
M. Sarv
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引用次数: 4

Abstract

The article focuses on the relationship of language and metre in case of oral poetry, more exactly, to what extent and through which processes the changes in language have induced the changes in metre in case of Estonian runosong, a branch of common Finnic poetic-musical tradition. The Estonian language has gone through a series of notable phonological changes during approximately last 500 to 700 years that have systematically shortened the word forms; the extent of these changes varies across dialects. At the same time the language of runosongs has partly resisted these changes, and partly adopted; the archaic and new word forms are in concurrent use, and vary geographically. The metre of Estonian runosongs appears to be a transitional form from quantitative runosong metre (Kalevala metre) to the accentual runosong metre (both of them syllabic metres). The current study shows that the transition depends directly on the average syllabic length of the words in runosongs (the longer the words, the more quantitative the metre, and vice versa), which in turn is induced by the shortening of words in dialectal language. The closer look at the points of tensions between the metre and language, i.e. the geographical distribution of the morphological forms that are critical for building the verses in quantitative metre and have been systematically retained in runosongs (but shortened in language) shows that in two metrically innovative areas runosongs have given up preserving the archaic word forms, while in big central area between a linguistically and metrically conservative centre in the North-East of Estonia and two innovation centres in Western and Southeastern Estonia the archaic and newer word forms are used concurrently. The slight difference between the metre of western and southeastern runosongs follows the prosodic patterns of dialectal language. The side topic of the article discusses the questions of the evolution of runosong in the light of newer theories of emergence of Finnic languages (in the first millennium BC) and poetic system of runosongs, but apparently the metrical variation of runosong is entirely explicable by the impact of much later language changes (approximately 500 to 700 years ago) and seems not to be able to answer the questions related to the emergence of the poetic tradition.
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诗歌的韵律作为语言的功能:爱沙尼亚抒情歌曲中韵律变化的语言依据
本文重点讨论了口语诗歌中语言和韵律的关系,更确切地说,在爱沙尼亚符诺松(常见的芬兰诗歌音乐传统的一个分支)的情况下,语言的变化在多大程度上以及通过什么过程引起了韵律的变化。爱沙尼亚语在过去大约500到700年中经历了一系列显著的语音变化,这些变化系统地缩短了单词的形式;这些变化的程度因方言而异。与此同时,鲁诺松人的语言部分抵制了这些变化,部分采用了这些变化;古字形和新字形同时使用,而且在地理上各不相同。爱沙尼亚符文的格似乎是从数量符文格(Kalevala格)到重音符文格的过渡形式(两者都是音节格)。目前的研究表明,转换直接取决于符文中单词的平均音节长度(单词越长,韵律越定量,反之亦然),而这又是由方言中单词的缩短引起的。仔细观察韵律和语言之间的紧张关系,即形态的地理分布,这些形态对用定量韵律构建诗歌至关重要,并在符文中被系统地保留(但在语言中被缩短),表明符文在两个韵律创新领域已经放弃了保留古老的单词形式,而在爱沙尼亚东北部的一个语言学和计量保守中心与爱沙尼亚西部和东南部的两个创新中心之间的大中心区域,古老和更新的单词形式同时使用。西部和东南部符文的韵律略有不同,遵循方言语言的韵律模式。文章的副题是根据芬兰人语言出现的新理论(公元前一千年)和符诺松诗歌体系,讨论符诺松的演变问题,但显然,鲁诺松的格律变化完全可以通过更晚的语言变化(大约500到700年前)的影响来解释,似乎无法回答与诗歌传统出现有关的问题。
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来源期刊
Studia Metrica et Poetica
Studia Metrica et Poetica LANGUAGE & LINGUISTICS-
CiteScore
0.60
自引率
16.70%
发文量
6
审稿时长
16 weeks
期刊最新文献
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