{"title":"Wishful images: Three cinematographic portraits of a national film company","authors":"Anne Kerlan","doi":"10.1080/17508061.2021.1926637","DOIUrl":null,"url":null,"abstract":"Abstract This paper explores how the Lianhua Film Company, founded in 1930 and active until 1937, communicated its identity and project through its films. These drama films offered an idealized portrait of the movie world and the Chinese society, revealing how the company’s members defined their role in a society looking to build a national identity. The paper focuses on three films: Two Stars of the Milky Way (1931) was a cinematographic interpretation of the founding statement of the company and depicts the company’s utopia. Lianhua’s Symphony (1936), composed of eight shorts, was a patriotic call to resist the Japanese enemy. A Sea of Talents (1937) was produced in the final days of Lianhua, just before the Japanese invasion. It offers a portrait of the artistic world disillusioned and far from patriotic anxieties. These films, analysed here alongside written sources, draw a portrait of the company both as it wanted to be seen and as it actually was. Studying them illuminates the hopes, battles and disillusions of a world of professionals who projected on the screen theirs visions, sometimes conflicting, of a stronger and unified Nation.","PeriodicalId":43535,"journal":{"name":"Journal of Chinese Cinemas","volume":"15 1","pages":"1 - 21"},"PeriodicalIF":0.1000,"publicationDate":"2021-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17508061.2021.1926637","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Chinese Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17508061.2021.1926637","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
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Abstract
Abstract This paper explores how the Lianhua Film Company, founded in 1930 and active until 1937, communicated its identity and project through its films. These drama films offered an idealized portrait of the movie world and the Chinese society, revealing how the company’s members defined their role in a society looking to build a national identity. The paper focuses on three films: Two Stars of the Milky Way (1931) was a cinematographic interpretation of the founding statement of the company and depicts the company’s utopia. Lianhua’s Symphony (1936), composed of eight shorts, was a patriotic call to resist the Japanese enemy. A Sea of Talents (1937) was produced in the final days of Lianhua, just before the Japanese invasion. It offers a portrait of the artistic world disillusioned and far from patriotic anxieties. These films, analysed here alongside written sources, draw a portrait of the company both as it wanted to be seen and as it actually was. Studying them illuminates the hopes, battles and disillusions of a world of professionals who projected on the screen theirs visions, sometimes conflicting, of a stronger and unified Nation.
本文探讨了联华电影公司如何通过电影传达其身份和项目。联华电影公司成立于1930年,一直经营到1937年。这些剧情片为电影世界和中国社会提供了一幅理想化的肖像,揭示了公司成员如何在一个寻求建立民族认同的社会中定义自己的角色。本文主要研究了三部电影:《银河两星》(Two Stars of The Milky Way, 1931)是对公司成立宣言的电影诠释,描绘了公司的乌托邦。联华的《交响曲》(1936)由八首小品组成,是抗日的爱国号召。《人才海》(1937)拍摄于联华末期,也就是日本侵华前夕。它描绘了一个幻想破灭、远离爱国焦虑的艺术界。这些电影,在这里与书面资料一起分析,描绘了公司的肖像,既是它想要看到的,也是它的实际情况。通过研究他们,我们可以看到一个专业人士世界的希望、斗争和幻灭,他们把自己对一个更强大、更统一的国家的愿景(有时是相互矛盾的)投射到银幕上。