Wishful images: Three cinematographic portraits of a national film company

IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION Journal of Chinese Cinemas Pub Date : 2021-02-23 DOI:10.1080/17508061.2021.1926637
Anne Kerlan
{"title":"Wishful images: Three cinematographic portraits of a national film company","authors":"Anne Kerlan","doi":"10.1080/17508061.2021.1926637","DOIUrl":null,"url":null,"abstract":"Abstract This paper explores how the Lianhua Film Company, founded in 1930 and active until 1937, communicated its identity and project through its films. These drama films offered an idealized portrait of the movie world and the Chinese society, revealing how the company’s members defined their role in a society looking to build a national identity. The paper focuses on three films: Two Stars of the Milky Way (1931) was a cinematographic interpretation of the founding statement of the company and depicts the company’s utopia. Lianhua’s Symphony (1936), composed of eight shorts, was a patriotic call to resist the Japanese enemy. A Sea of Talents (1937) was produced in the final days of Lianhua, just before the Japanese invasion. It offers a portrait of the artistic world disillusioned and far from patriotic anxieties. These films, analysed here alongside written sources, draw a portrait of the company both as it wanted to be seen and as it actually was. Studying them illuminates the hopes, battles and disillusions of a world of professionals who projected on the screen theirs visions, sometimes conflicting, of a stronger and unified Nation.","PeriodicalId":43535,"journal":{"name":"Journal of Chinese Cinemas","volume":"15 1","pages":"1 - 21"},"PeriodicalIF":0.1000,"publicationDate":"2021-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17508061.2021.1926637","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Chinese Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17508061.2021.1926637","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

Abstract

Abstract This paper explores how the Lianhua Film Company, founded in 1930 and active until 1937, communicated its identity and project through its films. These drama films offered an idealized portrait of the movie world and the Chinese society, revealing how the company’s members defined their role in a society looking to build a national identity. The paper focuses on three films: Two Stars of the Milky Way (1931) was a cinematographic interpretation of the founding statement of the company and depicts the company’s utopia. Lianhua’s Symphony (1936), composed of eight shorts, was a patriotic call to resist the Japanese enemy. A Sea of Talents (1937) was produced in the final days of Lianhua, just before the Japanese invasion. It offers a portrait of the artistic world disillusioned and far from patriotic anxieties. These films, analysed here alongside written sources, draw a portrait of the company both as it wanted to be seen and as it actually was. Studying them illuminates the hopes, battles and disillusions of a world of professionals who projected on the screen theirs visions, sometimes conflicting, of a stronger and unified Nation.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
愿望的图像:一家国家电影公司的三幅电影肖像
本文探讨了联华电影公司如何通过电影传达其身份和项目。联华电影公司成立于1930年,一直经营到1937年。这些剧情片为电影世界和中国社会提供了一幅理想化的肖像,揭示了公司成员如何在一个寻求建立民族认同的社会中定义自己的角色。本文主要研究了三部电影:《银河两星》(Two Stars of The Milky Way, 1931)是对公司成立宣言的电影诠释,描绘了公司的乌托邦。联华的《交响曲》(1936)由八首小品组成,是抗日的爱国号召。《人才海》(1937)拍摄于联华末期,也就是日本侵华前夕。它描绘了一个幻想破灭、远离爱国焦虑的艺术界。这些电影,在这里与书面资料一起分析,描绘了公司的肖像,既是它想要看到的,也是它的实际情况。通过研究他们,我们可以看到一个专业人士世界的希望、斗争和幻灭,他们把自己对一个更强大、更统一的国家的愿景(有时是相互矛盾的)投射到银幕上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
Journal of Chinese Cinemas
Journal of Chinese Cinemas FILM, RADIO, TELEVISION-
CiteScore
0.50
自引率
0.00%
发文量
16
期刊最新文献
Hou Hsiao-Hsien’s acousmatic sound: Listening to urban noises and decadent music in Daughter of the Nile Circuits of mobility in Love and Duty The ‘Queer Woman’ between Shanghai and Nanyang, 1920s–1930s Marion Evelyn Hong before and after the Curse of the Quon Gwon (1916) Hou Hsiao-hsien’s acousmatic sound: Listening to urban noises and decadent music in Daughter of the Nile
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1