Building sympathy: Waiting-with digital fabrication machines as a form of architectural labor

Zach Cohen
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Abstract

Many digital fabrication machines have potential dangers, for example, sudden fires or projectile debris; thus, architects are generally required to supervise these machines when they employ them to make things. It is unlikely that further mechanization will ever completely eliminate such dangers since they result from unpredictable material processes. Therefore, as digital fabrication machines proliferate throughout architecture schools and practices, architects will find themselves spending increasingly more time supervising them, and waiting. In this paper, I argue that architects should then not only embrace waiting-with digital fabrication machines as a new form of architectural labor, but also begin to explore the ways in which such waiting can be productive. I begin with a critique of many architects’ impatience with digital fabrication processes. I then use the continental philosopher Henri Bergson’s concept of “intuition” to discuss the productive potential of waiting-with. Finally, I use a speculative 3D printing workflow to present additional creative possibilities that can arise if architects intentionally build waiting into digital fabrication processes.
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建筑同情:用数字制造机器作为建筑劳动的一种形式等待
许多数字制造机器都有潜在的危险,例如突然起火或炮弹碎片;因此,建筑师在使用这些机器制造东西时,通常需要监督这些机器。进一步的机械化不太可能完全消除这种危险,因为它们是不可预测的材料过程造成的。因此,随着数字制造机器在建筑学校和实践中的激增,建筑师们将发现自己花费越来越多的时间来监督和等待。在这篇论文中,我认为建筑师不仅应该接受数字制造机器的等待,将其作为一种新的建筑劳动形式,而且应该开始探索这种等待可以产生成效的方式。我首先批评了许多建筑师对数字制造工艺的不耐烦。然后,我用欧洲大陆哲学家亨利·柏格森的“直觉”概念来讨论等待的生产潜力。最后,我使用推测性的3D打印工作流程来呈现额外的创造性可能性,如果建筑师有意将等待构建到数字制造过程中,这些可能性可能会出现。
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CiteScore
3.20
自引率
17.60%
发文量
44
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